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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Debussy Claude

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Ballade for flute and piano

By Debussy Claude

Claude Debussy: Ballade for flute and piano was written in 1890, originally for piano. The flute arrangement was made in 1910 by Gustave Samazeuilh and premiered in Paris in the 1910s during the "Société Nationale de Musique" concerts.
The original title was "Ballade slave" (Slavic). Debussy had spent summers in Russia as a house pianist for Nadezhda von Meck (Tchaikovsky's patron). In 1890, he was reflecting these Russian tonal colors, modal melodies, and repetitive, hypnotic bass lines, which translate beautifully to the flute's "haunting" low register. Around that time, Debussy was living a precarious life in Montmartre, deeply involved with the Symbolist poets (like Mallarmé). This literary influence is evident in the Ballade's narrative, "storytelling" quality.
The work retains the expressive lyricism, clear melodic shapes, and the "narrative" form (the ballad) typical of the 19th-century Romantic tradition. Its original subtitle, Ballade slave, ties it to the Nationalist Romanticism of the Russian school (Tchaikovsky/Borodin).
However, the composition depicts early signs of "emerging Debussy" through his use of parallel harmonies, modal scales, and a "misty" atmospheric quality that moves away from the dramatic tension of German Romanticism toward a French Symbolist aesthetic.

Jürgen Franz

Ulrike Payer (piano), 2021, Jürgen Franz / recordJet

Ballade

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Debussy Claude

Claude Debussy (1862-1918) was a French composer, often regarded as the first impressionist composer, even though he rejected that association with impressionism.  Debussy studied piano at the Conservatoire de Paris and composition with Ernest Guiraud, gradually developing his own style of composition which matured when he was nearly 40 years old and gained international success with his only opera Pelléas et Mélisande. At the age of 18, he started working as a pianist and tutor in the wealthy Russian household of Nadezhda von Meck, the longtime patroness of P.I.Tchaikovsky. Four years later he won Prix de Rome scholarship and spent two years at Villa Medici in Rome. Even though he was impressed by Wagner’s harmonies he was more influenced by Rimsky-Korsakov’s music which he was exposed upon returning to Paris.

Gradually his compositions gained recognition among his fellow composers. In 1983 Ysaÿe string quartet premiered his String Quartet, and the following year he started to compose Pelléas et Mélisande. In 1984 he gained some recognition with his symphonic poem Prélude à l'après-midi d'un faune, but his musical efforts were perpetually swept away with his controversial affairs in private life, turning supporters into enemies. Nevertheless, the success of his opera and the following compositions (e.g. La mer; Images) gained wider public recognition abroad than in France. Among his last works: Trio for flute, viola and harp (2015) was written when Debussy was suffering from his fatal illness.