Romantic
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20th century
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Debussy Claude
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Ballade for flute and piano
Claude Debussy: Ballade for flute and piano was written in 1890, originally for piano. The flute arrangement was made in 1910 by Gustave Samazeuilh and premiered in Paris in the 1910s during the "Société Nationale de Musique" concerts.
The original title was "Ballade slave" (Slavic). Debussy had spent summers in Russia as a house pianist for Nadezhda von Meck (Tchaikovsky's patron). In 1890, he was reflecting these Russian tonal colors, modal melodies, and repetitive, hypnotic bass lines, which translate beautifully to the flute's "haunting" low register. Around that time, Debussy was living a precarious life in Montmartre, deeply involved with the Symbolist poets (like Mallarmé). This literary influence is evident in the Ballade's narrative, "storytelling" quality.
The work retains the expressive lyricism, clear melodic shapes, and the "narrative" form (the ballad) typical of the 19th-century Romantic tradition. Its original subtitle, Ballade slave, ties it to the Nationalist Romanticism of the Russian school (Tchaikovsky/Borodin).
However, the composition depicts early signs of "emerging Debussy" through his use of parallel harmonies, modal scales, and a "misty" atmospheric quality that moves away from the dramatic tension of German Romanticism toward a French Symbolist aesthetic.
Claude Debussy (1862-1918) was a French composer, often regarded as the first impressionist composer, even though he rejected that association with impressionism. Debussy studied piano at the Conservatoire de Paris and composition with Ernest Guiraud, gradually developing his own style of composition which matured when he was nearly 40 years old and gained international success with his only opera Pelléas et Mélisande. At the age of 18, he started working as a pianist and tutor in the wealthy Russian household of Nadezhda von Meck, the longtime patroness of P.I.Tchaikovsky. Four years later he won Prix de Rome scholarship and spent two years at Villa Medici in Rome. Even though he was impressed by Wagner’s harmonies he was more influenced by Rimsky-Korsakov’s music which he was exposed upon returning to Paris.
Gradually his compositions gained recognition among his fellow composers. In 1983 Ysaÿe string quartet premiered his String Quartet, and the following year he started to compose Pelléas et Mélisande. In 1984 he gained some recognition with his symphonic poem Prélude à l'après-midi d'un faune, but his musical efforts were perpetually swept away with his controversial affairs in private life, turning supporters into enemies. Nevertheless, the success of his opera and the following compositions (e.g. La mer; Images) gained wider public recognition abroad than in France. Among his last works: Trio for flute, viola and harp (2015) was written when Debussy was suffering from his fatal illness.