20th century
Baroque
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20th century
21st century
Solo repertoire
Piccolo
Alto flute
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Debussy Claude
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
Barrere, Georges
Bartók, Béla Viktor János
Baton, René-Emmanuel
Beaser, Robert
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
Brotons, Salvador
Brown, Elizabeth
Brun, Georges
Burkhard, Willy
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carmichael, John
Carter, Elliott
Casella, Alfredo
Chaynes, Charles
Clarke, Ian
Colgrass, Michael
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Cortese, Luigi
Currier, Sebastian
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
De Lorenzo, Leonardo
Debussy, Claude
Del Tredici, David
DeLaney, Charles Oliver
Delerue, Georges
Denisov, Edison
Dèsbriere, Jacques
Dick, Robert
Dinicu, Grigoraș
Dodgson, Stephen
Dohnányi, Ernő
Dubois, Pierre Max
Dukas, Paul
Durey, Louis
Dutilleux, Henri
Enescu, George
Farkas, Ferenc
Feld, Jindřich
Ferroud, Pierre-Octave
Flothuis, Marius
Folio, Cynthia
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gade, Jacob
Gál, Hans
Gaubert, Philippe
Genzmer, Harald
George, Thom Ritter
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Glass, Philip
Glière, Reinhold
Golovin, Andrei
Gordeli, Otar
Grier, Lita
Griffes, Charles Tomlinson
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Grovlez, Gabriel
Guarnieri, Mozart Camargo
Gubajdulina, Sofia
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Hanson, Howard Harold
Harberg, Amanda
Harbison, John
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Henze, Hans-Werner
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
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Hüe, Georges Adolphe
Hurel, Philippe
Ibert, Jacques
Ichiyanagi, Toshi
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Ives, Charles
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Jemnitz, Sándor
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Jóhannsson, Magnús Blöndal
Jolivet, André
Jongen, Joseph
Karg-Elert, Sigfrid
Kay, Ulysses
Kelterborn, Rudolf
Ķeniņš, Tālivaldis
Kennan, Kent Wheeler
Kennedy, Martin
Kernis, Aaron Jay
Khachaturian, Aram
Kocsár, Miklós
Kodaly, Zoltan
Koechlin, Charles
Kornauth, Egon
Kraft, Leo
Krzywicki, Jan
Kupferman, Meyer
La Montaine, John
Lauber, Joseph
Lavista, Mario
Lee, Eugene
Leeuwen, Ary van
Levinson, Gerald
Liebermann, Lowell
Loudova, Ivana
Mack, Dieter
Mahler, Gustav
Maresz, Yan
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Meltzer, Harold
Messiaen, Olivier
Mihalovici, Marcel
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Norby, Erik
Nordenstrom, Gladys
Offermans, Wil
Olsen, Carl Gustav Sparre
Paget, Daniel
Perle, George
Petrovics, Emil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
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Ran, Shulamit
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Rautavaara, Einojuhani
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Reynolds, Verne
Riegger, Wallingford
Rivier, Jean
Rodrigo, Joaquin
Rota, Nino
Rotaru, Doina
Rouse, Christopher
Roussel, Albert
Rutter, John
Saariaho, Kaija
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Schmidt, Ole
Schocker, Gary
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Sibelius, Jean
Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
Taktakishvili, Otar
Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Weinberg, Mieczysław
Wilder, Alec
Williams, Ralph Vaughan
Yi, Chen
Yun, Isang
Zgraja, Krystof
Sonata for flute and piano
Sonata for flute and piano
C. Debussy: Sonata for flute and piano, originally for violin and piano, was written in 1917, and is known as the last notable piece Debussy composed before he passed away in 1918.
The Sonata was premiered on 5 May 1917 by violinist Gaston Poulet and Claude Debussy at the piano, which was his final public performance.
The sonata was intended as the third one of a six-sonata cycle. In 1915, he composed the Sonata for cello and piano and the Sonata for flute, viola, and harp. Prior to that, he didn't compose any chamber works since his string quartet from 1893.
“Debussy’s willingness to discover the sounds of other cultures and to break the harmonic conventions of his own—the centuries-old rules about which notes were allowed to go together and how certain sound combinations were supposed to resolve—wasn’t merely about defiance; it was always about finding better and more original ways of evoking emotion through his art.
He was drawn to the great French composers from the past, particularly Rameau and Couperin. The sonatas of Debussy’s late sonata cycle are not the sonata forms of Beethoven and Schubert, but resemble more closely the form of 18th-century “monothematic” sonatas. In other words, don’t listen to them, waiting for a distinctive second theme to come in, establishing a new tonal center, and then anticipate its triumphant restatement later in the home key! But, as in all Debussy, do listen to the subtle changes in texture, to the way a snippet of melody is repeated on top of a slightly altered accompaniment, and notice how these details make you feel—how a new harmony can add a dark undertone to a previously insouciant tune, how a small up-and-down gesture in the violin creates an ephemeral sniff of dread.”
Jeffrey Louie
There are several arrangements for flute and piano: Denis Bouriakov, Claudia Anderson, and Anna Kondrashina, to name a few.
Naoko Ishibashi (piano), live performance, 08.07.2011., Tsuda Hall, Tokyo
1. Allegro vivo 2. Intermède. Fantasque et léger 3. Finale. Très animé
Nino Gurevich (piano), live performance, 06.07.2021., Großer Konzertsaal, Hochschule für Musik und Theater, Munich
1. Allegro vivo 2. Intermède. Fantasque et léger 3. Finale. Très animé
Debussy Claude
Claude Debussy (1862-1918) was a French composer, often regarded as the first impressionist composer, even though he rejected that association with impressionism. Debussy studied piano at the Conservatoire de Paris and composition with Ernest Guiraud, gradually developing his own style of composition which matured when he was nearly 40 years old and gained international success with his only opera Pelléas et Mélisande. At the age of 18, he started working as a pianist and tutor in the wealthy Russian household of Nadezhda von Meck, the longtime patroness of P.I.Tchaikovsky. Four years later he won Prix de Rome scholarship and spent two years at Villa Medici in Rome. Even though he was impressed by Wagner’s harmonies he was more influenced by Rimsky-Korsakov’s music which he was exposed upon returning to Paris.
Gradually his compositions gained recognition among his fellow composers. In 1983 Ysaÿe string quartet premiered his String Quartet, and the following year he started to compose Pelléas et Mélisande. In 1984 he gained some recognition with his symphonic poem Prélude à l'après-midi d'un faune, but his musical efforts were perpetually swept away with his controversial affairs in private life, turning supporters into enemies. Nevertheless, the success of his opera and the following compositions (e.g. La mer; Images) gained wider public recognition abroad than in France. Among his last works: Trio for flute, viola and harp (2015) was written when Debussy was suffering from his fatal illness.