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Delerue Georges
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Ballade Romantique for flute and piano
Georges Delerue: Ballade Romantique for flute and piano was composed in 1962 and published the same year by Éditions Rideau Rouge in Paris. The piece is dedicated to Pierre Paubon, a highly influential French flutist, professor, and author of numerous pedagogical methods. The composition was intended to be part of the modern French flute school's repertoire, emphasizing the "French Flute Sound" (purity of tone and elegance of phrasing).
The title "Romantic" is a manifesto. In an era of avant-garde experimentation, Delerue was unapologetically embracing melody and emotion, characterized by wide interval leaps and expressive rubato.
By 1962, Delerue had become the "voice" of the French New Wave. This was the same year he wrote the iconic score for François Truffaut’s legendary movie "Jules and Jim". Around that time, Delerue was struggling with his identity as a "serious" composer vs. a "film" composer. Therefore, he maintained a strict discipline of writing chamber music to keep his "classical" technique sharp.
While the original 1962 version was written for flute and piano, it is frequently performed and recorded as an arrangement for flute and guitar.
Georges Delerue (1925–1992) was a prolific French composer whose work bridged the gap between the rigorous French conservatory tradition and international cinema.
Born in Roubaix, northern France, in a working-class environment, his father was a foreman in a local factory, and his mother was a singer and pianist who introduced him to music. He began studying piano at age 14 but was forced to work in a factory during the German occupation of France to support his family. Despite these hardships, he continued his studies at the Roubaix Conservatory, eventually moving to the Paris Conservatoire in 1945, where he studied under the legendary Darius Milhaud and Jean Rivier. In 1949, he won the prestigious Prix de Rome, which solidified his standing as a "serious" composer.
Delerue became the definitive musical voice of the French New Wave, forming a legendary partnership with director François Truffaut (Jules and Jim, The Last Metro). His ability to write hauntingly lyrical melodies led him to Hollywood, where he won an Academy Award for A Little Romance (1979).
Throughout his career, he maintained a "dual life," composing over 350 film scores while simultaneously producing a catalog of chamber music, such as the Ballade Romantique.