21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Dorff Daniel
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
“August Idyll” for solo Flute
D. Dorff: “August Idyll” for solo Flute was written in August 2005.
"In 2005, I was distracted by many simultaneous "real life" challenges; I went over a year without focus or momentum for composing, even with an impending deadline for a piano concerto to be premiered in Carnegie Hall.
That summer's NFA convention was a great "reset," and a few weeks afterward I visited a friend out in the country surrounded by woods, wild animals wandering in the yard, bluebirds, and hummingbirds. On the first morning, I closed my eyes and a theme came into my head that I particularly liked. There was no music paper handy so I started scribbling on scrap paper. This surprise kept progressing and developing, and within a few hours I had "received" this reawakening gift of a completed new solo flute piece. It felt like merely taking dictation rather than composing.
Since I was in an idyllic setting (and the opening sounds somewhat like Grieg), and it was August, August Idyll seemed like a natural title for the piece."
"The innocent beauty of August Idyll, when I was navigating turmoil, exemplifies an ongoing element of my music - escapism. All my music without exception is about the beauty of music itself. Programs, commissions, texts, or other contexts can often inspire the writing of a piece or its specifics, but everything I write is ultimately a celebration of the beauty and my love of music. I am not good at creating ugly or angry, and I wouldn't want to be - who needs more of that?"
Daniel Dorff
Dorff Daniel
Daniel Dorff (1956) is an American composer.
Born in New Rochelle, New York, he studied at Cornell University and earned his master's degree in composition from the University of Pennsylvania, studying composition with George Crumb, George Rochberg, Karel Husa, Henry Brant, Ralph Shapey, Elie Siegmeister, and Richard Wernick.
Dorff was a clarinetist, saxophonist, and bass clarinetist for the Haddonfield Symphony for 20 years prior to Alan Gilbert appointing him composer-in-residence.
From 1996 until 2015, he was a composer-in-residence for Symphony in C (formerly The Haddonfield Symphony) in Camden, New Jersey.
His works have been commissioned by the Philadelphia Orchestra and Minnesota Orchestra, and performed by groups and individuals including the Baltimore Symphony, Eastman Wind Ensemble, flutists of the Chicago Symphony and Berlin Philharmonic, as well as Jean-Pierre Rampal, Jasmine Choi, Denis Bouriakov, and frequent collaborator Cindy Anne Broz. He has also created arrangements for Sir James Galway and pop musicians Keith Emerson and Lisa Loeb.
Dorff has taken a particular interest in exposing young people to classical music; many of his works are written for young audiences, including Three Fun Fables, a setting for narrator and orchestra of familiar Aesop tales; Billy and the Carnival, a narrated guide to the instruments of the orchestra, and many more.
Among his compositions for flute: "9 Walks Down 7th Avenue" Rondò Variations for flute and piano; "April Whirlwind" for flute and piano'; "August Idyll" for solo Flute; "Concertino" for flute and orchestra; "Flash!" for piccolo and piano; "For Elise" for flute and piano; "Nocturne Caprice" for solo flute; "Nocturnes for the Nativity" for solo flute; "Snow Angel" for flute and piano; "Sonata "Spirit of the Hudson" for bass flute and piano; Sonata "Three Lakes" for flute and piano; Sonatine de Giverny for piccolo and piano; "Songs of the Open Road" for solo flute etc.