20th century
Baroque
Classical
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20th century
21st century
Solo repertoire
Piccolo
Alto flute
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Durey Louis
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
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Bennet, Richard Rodney
Berg, Gunnar
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Bolling, Claude
Bon, Maarten
Bonis, Mel
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Boulanger, Marie-Juliette
Boulez, Pierre
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Bournonville, Armand
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Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
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Dodgson, Stephen
Dohnányi, Ernő
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Durey, Louis
Dutilleux, Henri
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Schulhoff, Erwin
Schwantner, Joseph
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Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
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Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
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Vasks, Pēteris
Weigl, Vally
Weinberg, Mieczysław
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Williams, Ralph Vaughan
Yi, Chen
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Zgraja, Krystof
Sonatine for flute and piano
L. Durey: Sonatine for flute and piano Op. 25 was written in 1925 and Dedicated to the French critic Roland-Manuel. However, the piece remained unpublished until 1939.
Even though Durey was in the group of Les Six that pursued anti-impressionism, Durey’s early music was rather strongly influenced by Debussy and Ravel. The melody of the Sonatine's first movement shows clear influence from Debussy (in measure 55-56, Durey uses a motive from Debussy’s famous Prélude to the Afternoon of a Faun).
The piece consists of three movements marked as ‘Nonchalant’, ‘Lent et soustenu’, ‘Assez anime’.
Louis Durey (1888 – 1979) was a French composer who started to pursue music after attending Claude Debussy’s opera Pelléas et Mélisande in November 1907 and decided to be a composer shortly after - despite the fact that he just earned an engineer's degree at the Ecole des Hautes Etudes Commerciales.
At the age of 20 he started to learn the piano, solfege,
counterpoint, and composition with organist Leon Saint-Requier in Schola Cantorum where he stayed until the outbreak of World War I (1914). For sixteen months he was enlisted in the French army and was able to finish his first composition, Carillons for two pianos, only in 1917.
The composition was dedicated to Erik Satie that led him joining Les Six. The following composition of string quartet, dedicated to George Auric, established his growing reputation among his peers. His song cycle Images à Crusoé, op. 11, poems by Saint-John Perse, became popular and was often performed at Les Six’s concerts.
However, in 1921 he left Les Six, handing over his share to Tailleferre, gradually reducing his compositional activities, and incresingly becoming interested in politics. In 1936 he joined the Fédérationc Musicale Populaire and became its president in 1956.
Overall he has written 116 compositions. Despite Debussy's influence,
he was able to break free after discovering Schoenberg's music in 1914, indicating his preference for vocal and polyphonic compositions.
Even more, Durey was against impressionism, and associated himself with influences of Erik Satie, Arnold Schoenberg, and Igor Stravinsky.