This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Dvořák Antonin

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Romance in F minor for flute and piano, Op. 11

By Dvořák Antonin

Antonin Dvořák: Romance in F minor for flute and piano, Op. 11 was written in 1873, originally as the slow movement (Andante con moto) of Dvořák's String Quartet No. 5 in F minor, which he reworked into the standalone Romance between 1873 and 1877.
Dvořák dedicated his own violin and piano arrangement to his friend, the renowned violin virtuoso František Ondříček.
There are several arrangements for flute by Robert Stallman or Aralee Dorough.

1873 was a turning point for Dvořák. Following the rejection of his opera "The King and the Charcoal Burner", he sought a new compositional style less influenced by Wagner.
The final version of the Romance in 1877 coincided with a period of profound personal loss; Dvořák lost three of his children that year to various illnesses and accidents.
During these years, he was beginning to gain international recognition, notably supported by Johannes Brahms, who recommended Dvořák to the publisher Simrock.

Denis Bouriakov

Naoko Ishibashi (piano), live performance at Kioi Hall in Tokyo, Japan, 2015.

Romance

00:00
YouTube icon

Dvořák Antonin

Antonín Dvořák (1841 - 1904) was a prominent Czech composer of the Romantic era, the first from Bohemia to achieve worldwide recognition. He is celebrated for his vibrant, melodic style that blended the classical tradition with the folk music idioms of his native Bohemia and Moravia.
Born the son of a butcher and innkeeper in the village of Nelahozeves, Dvořák displayed a strong musical talent from an early age, learning the violin. He pursued formal musical training at the Prague Organ School from 1857 to 1859, after which he played the viola in a professional orchestra, eventually the Bohemian Provisional Theatre Orchestra, conducted at times by Bedřich Smetana.
Dvořák's compositions began to gain notice in the 1870s. A pivotal moment came when he was awarded the Austrian State Prize in 1875, bringing him to the attention of Johannes Brahms, who recommended him to his publisher, Fritz Simrock. Simrock's publication of Dvořák's Moravian Duets (1878) and the first set of Slavonic Dances (1878) launched his international career, popularizing Slavic themes across Europe and America. His reputation grew with performances of major choral works like the Stabat Mater (1877) and commissions from England, including his Symphony No. 7.
In 1892, Dvořák accepted a lucrative position as the director of the National Conservatory of Music in New York City, where he stayed until 1895. During this time, he was encouraged to create an "American" style of music by incorporating Black and Native American musical elements. This period produced some of his most famous works: Symphony No. 9 ("From the New World"); String Quartet No. 12 ("American"), and Cello Concerto in B minor (1895).
Homesickness and financial difficulties at the Conservatory led Dvořák to return to Prague in 1895, where he resumed teaching at the Conservatory (eventually becoming its director). In his final years, he focused on programmatic works and opera, including his masterpiece opera Rusalka (1900), which contains the famous "Song to the Moon" aria.