Romantic
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Romantic
20th century
21st century
Solo repertoire
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Alto flute
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Dvořák Antonin
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
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Paganini, Niccolo
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Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Romance in F minor for flute and piano, Op. 11
Antonin Dvořák: Romance in F minor for flute and piano, Op. 11 was written in 1873, originally as the slow movement (Andante con moto) of Dvořák's String Quartet No. 5 in F minor, which he reworked into the standalone Romance between 1873 and 1877.
Dvořák dedicated his own violin and piano arrangement to his friend, the renowned violin virtuoso František Ondříček.
There are several arrangements for flute by Robert Stallman or Aralee Dorough.
1873 was a turning point for Dvořák. Following the rejection of his opera "The King and the Charcoal Burner", he sought a new compositional style less influenced by Wagner.
The final version of the Romance in 1877 coincided with a period of profound personal loss; Dvořák lost three of his children that year to various illnesses and accidents.
During these years, he was beginning to gain international recognition, notably supported by Johannes Brahms, who recommended Dvořák to the publisher Simrock.
Naoko Ishibashi (piano), live performance at Kioi Hall in Tokyo, Japan, 2015.
Romance
Antonín Dvořák (1841 - 1904) was a prominent Czech composer of the Romantic era, the first from Bohemia to achieve worldwide recognition. He is celebrated for his vibrant, melodic style that blended the classical tradition with the folk music idioms of his native Bohemia and Moravia.
Born the son of a butcher and innkeeper in the village of Nelahozeves, Dvořák displayed a strong musical talent from an early age, learning the violin. He pursued formal musical training at the Prague Organ School from 1857 to 1859, after which he played the viola in a professional orchestra, eventually the Bohemian Provisional Theatre Orchestra, conducted at times by Bedřich Smetana.
Dvořák's compositions began to gain notice in the 1870s. A pivotal moment came when he was awarded the Austrian State Prize in 1875, bringing him to the attention of Johannes Brahms, who recommended him to his publisher, Fritz Simrock. Simrock's publication of Dvořák's Moravian Duets (1878) and the first set of Slavonic Dances (1878) launched his international career, popularizing Slavic themes across Europe and America. His reputation grew with performances of major choral works like the Stabat Mater (1877) and commissions from England, including his Symphony No. 7.
In 1892, Dvořák accepted a lucrative position as the director of the National Conservatory of Music in New York City, where he stayed until 1895. During this time, he was encouraged to create an "American" style of music by incorporating Black and Native American musical elements. This period produced some of his most famous works: Symphony No. 9 ("From the New World"); String Quartet No. 12 ("American"), and Cello Concerto in B minor (1895).
Homesickness and financial difficulties at the Conservatory led Dvořák to return to Prague in 1895, where he resumed teaching at the Conservatory (eventually becoming its director). In his final years, he focused on programmatic works and opera, including his masterpiece opera Rusalka (1900), which contains the famous "Song to the Moon" aria.