20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Enescu George
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
Barrere, Georges
Bartók, Béla Viktor János
Baton, René-Emmanuel
Beaser, Robert
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
Brotons, Salvador
Brown, Elizabeth
Brun, Georges
Burkhard, Willy
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carmichael, John
Carter, Elliott
Casella, Alfredo
Chaynes, Charles
Clarke, Ian
Colgrass, Michael
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Cortese, Luigi
Currier, Sebastian
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
De Lorenzo, Leonardo
Debussy, Claude
Del Tredici, David
DeLaney, Charles Oliver
Delerue, Georges
Denisov, Edison
Dèsbriere, Jacques
Dick, Robert
Dinicu, Grigoraș
Dodgson, Stephen
Dohnányi, Ernő
Dubois, Pierre Max
Dukas, Paul
Durey, Louis
Dutilleux, Henri
Enescu, George
Farkas, Ferenc
Feld, Jindřich
Ferroud, Pierre-Octave
Flothuis, Marius
Folio, Cynthia
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gade, Jacob
Gál, Hans
Gaubert, Philippe
Genzmer, Harald
George, Thom Ritter
Ghidoni, Armando
Gieseking, Walter
Glass, Philip
Glière, Reinhold
Golovin, Andrei
Gordeli, Otar
Grier, Lita
Griffes, Charles Tomlinson
Grinblat, Romuald
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Gubajdulina, Sofia
Hahn, Reynaldo
Hailstork, Adolphus
Halphen, Fernand
Hanson, Howard Harold
Harberg, Amanda
Harbison, John
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Henze, Hans-Werner
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
Hovhaness, Alan
Hüe, Georges Adolphe
Hurel, Philippe
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Ives, Charles
Jacob, Gordon
James, Bob
Jemnitz, Sándor
Jirák, Karel Boleslav
Jóhannsson, Magnús Blöndal
Jolivet, André
Jongen, Joseph
Karg-Elert, Sigfrid
Kay, Ulysses
Kelterborn, Rudolf
Ķeniņš, Tālivaldis
Kennan, Kent Wheeler
Kennedy, Martin
Kernis, Aaron Jay
Khachaturian, Aram
Kocsár, Miklós
Kodaly, Zoltan
Koechlin, Charles
Kornauth, Egon
Kraft, Leo
Krzywicki, Jan
Kupferman, Meyer
La Montaine, John
Lauber, Joseph
Lavista, Mario
Lee, Eugene
Leeuwen, Ary van
Levinson, Gerald
Liebermann, Lowell
Loudova, Ivana
Mack, Dieter
Mahler, Gustav
Maresz, Yan
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Meltzer, Harold
Messiaen, Olivier
Mihalovici, Marcel
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Norby, Erik
Nordenstrom, Gladys
Offermans, Wil
Olsen, Carl Gustav Sparre
Paget, Daniel
Perle, George
Petrovics, Emil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
Rachmaninoff, Sergei
Ran, Shulamit
Raphael, Günter
Rautavaara, Einojuhani
Ravel, Maurice
Reynolds, Verne
Riegger, Wallingford
Rivier, Jean
Rodrigo, Joaquin
Rota, Nino
Rotaru, Doina
Rouse, Christopher
Roussel, Albert
Rutter, John
Saariaho, Kaija
Sancan, Pierre
Schmidt, Ole
Schocker, Gary
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Sibelius, Jean
Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
Taktakishvili, Otar
Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
Varèse, Edgar
Vasks, Pēteris
Weigl, Vally
Weinberg, Mieczysław
Wilder, Alec
Williams, Ralph Vaughan
Yi, Chen
Yun, Isang
Zgraja, Krystof
Cantabile et presto for flute and piano
George Enescu: Cantabile et presto for flute and piano was written in 1904 for the Paris Conservatoire competition and dedicated to Paul Taffanel, flutist and professor at the Paris Conservatoire. The Cantabile and Presto was first published in 1904, yet not performed very often. One of its earliest notable public performances occurred in March 1910, performed by Philippe Gaubert with Enescu himself at the piano.
Having studied with Gabriel Fauré and Jules Massenet, Enescu wrote this piece at the request of his former teacher (Fauré) and Taffanel. The Cantabile famously begins in the flute's lowest register, an unusual and "moving" choice for the era that highlighted the instrument's tonal warmth rather than just its brilliance. The Presto section specifically tests double-tonguing, rapid scales, and rhythmic precision: key tenets of Taffanel’s pedagogical method.
During this year, his style was a hybrid of French Impressionist elegance and the melodic "nostalgic reverie" of his native Romanian roots. The work's enduring quality led to its re-selection as the required examination piece in both 1921 and 1940.
In 1904, Enescu was 23 years old and was already considered a rising star in Paris, balancing his dual identities as a virtuoso violinist and a composer.
George Enescu (1881-1995) was a Romanian child prodigy: violinist, conductor and composer who lived most of its life in Paris and is known in France as Georges Enesco. Besides extensive concert life, Enescu was a noted violin teacher, and great source of inspiration for many musicians throughout the first part of 20th century. Pablo Casals described Enescu as "The greatest musical phenomenon since Mozart".
Born in a small village of Liveni in Romania as an eight child, he early showed aptitude to music. After writing his first composition at the age of 5 he was showed to professor and composer Eduard Caudella. At the age of 7 he was the youngest student ever to be admitted to the Vienna Conservatory. As a child prodigy he performed for Emperor Franz Joseph at age of 10, with Johannes Brahms in the audience. After graduating it with Silver medal at the age of 12 he moved to Paris, to study violin and composition with Jules Massenet and Gabriel Fauré.
His compositions were greatly influenced by Romanian folk music, including his most popular compositions: “Romanian Rhapsodies” and the opera “Œdipe”.
In 1923 he debuted as a conductor with Philadelphia Orchestra at Carnegie Hall and returned for various appearances in US playing violin and conducting. In 1936 he was considered as a successor of Arturo Toscanini as a Musical Director of the New York Philharmonic.
Since 1948 he taught at the Mannes School of Music. Among his students were Yehudi Menuhin, Ida Haendel, Uto Ughi, Ivry Gitlis etc.