20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Ferroud Pierre-Octave
Aitken, Robert
Arnold, Malcolm
Barber, Samuel
Bartók, Béla Viktor János
Beaser, Robert
Bennet, Richard Rodney
Berio, Luciano
Bloch, Ernest
Bolling, Claude
Boulanger, Marie-Juliette
Bozza, Eugène Joseph
Brown, Elizabeth
Brun, Georges
Burton, Eldin
Büsser, Henri
Camus, Pierre
Carter, Elliott
Casella, Alfredo
Clarke, Ian
Colquhoun, Michael
Copland, Aaron
Corigliano, John
Dahl, Walter Ingolf Marcus
Damase, Jean-Michel
Davidovsky, Mario
Debussy, Claude
Del Tredici, David
Denisov, Edison
Dick, Robert
Dohnányi, Ernő
Dutilleux, Henri
Enescu, George
Feld, Jindřich
Ferroud, Pierre-Octave
Foote, Arthur
Foss, Lukas
Françaix, Jean
Fukushima, Kazuo
Gaubert, Philippe
Gieseking, Walter
Gordeli, Otar
Griffes, Charles Tomlinson
Grovlez, Gabriel
Guarnieri, Mozart Camargo
Hanson, Howard Harold
Harty, Hamilton
Heiss, John
Heith, David
Higdon, Jennifer
Hindemith, Paul
Honegger, Arthur
Hoover, Katherine
Hosokawa, Toshio
Hovhaness, Alan
Hüe, Georges Adolphe
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Jacob, Gordon
Jolivet, André
Karg-Elert, Sigfrid
Kennan, Kent Wheeler
La Montaine, John
Liebermann, Lowell
Martin, Frank
Martino, Donald
Martinů, Bohuslav
Messiaen, Olivier Eugène Prosper Charles
Milhaud, Darius
Mouquet, Jules
Mower, Mike
Muczynski, Robert
Nielsen, Carl
Offermans, Wil
Piazzolla, Astor
Piston, Walter
Poulenc, Francis
Prokofiev, Sergey
Ran, Shulamit
Ravel, Maurice
Reynolds, Verne
Rivier, Jean
Roussel, Albert
Rutter, John
Sancan, Pierre
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Takemitsu, Tōru
Taktakishvili, Otar
Varèse, Edgar
Vasks, Pēteris
Williams, Ralph Vaughan
Yun, Isang
Three pieces for flute solo
Three pieces for flute solo
O. Ferroud: Three Pieces for Solo Flute was written in 1921 by great influence of Ferroud's teacher, impressionist composer Florent Schmitt. The composition consists of three parts written in a quasi-Chinese style. As for the third part, Ferroud wrote: "The Toan-Yan holiday (or the day of Double Five) is celebrated in China on the fifth day of the fifth month - hence its name - and it is dedicated to commemorate a certain hero who flung himself into a body of water and drowned rather than submited to military dishonor. The solemnity of the holiday gives way in turn to mystical and fervid dances which symbolize the contrast between peace and war."
2011, Believe Music
1. Bergère captive, 2. Jade, 3. Toan-Yan (La Fete Du Double Cinq)
Ferroud Pierre-Octave
Pierre-Octave Ferroud (1900-1936) was a French composer and music critic. After his initial studies with F. Schmitt in Lyon, Ferroud moved to Paris, gaining success and acknowledgement (for his Symphony in A) by many prominent composers at that time: S. Prokofiev, I. Stravinsky and F. Poulenc.
Besides composing Ferroud regularly wrote reviews for Paris newspaper Paris-Soir. Ferroud tragically died in a road accident while walking on the street in Debrecen (Hungary). Sudden and violent death of Ferroud, reawakened religious faith and new-found seriousness in his friend F. Poulenc who dedicated some of his later works (Litanies à la Vierge noire for female voices and organ; Mass in G for soprano and mixed choir a capella) to P. Ferroud.