20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Flothuis Marius
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
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Bon, Maarten
Bonis, Mel
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Aubade for flute solo Op. 19a
Aubade for flute solo Op. 19a
Marius Flothuis: Aubade for flute solo Op. 19a was written in 1944 under extraordinary circumstances. Flothuis composed the piece while he was interned as a political prisoner in the Nazi concentration camp Vught (also known as Konzentrationslager Herzogenbusch) in the Netherlands.
The piece was specifically written as a birthday gift for his friend and fellow prisoner, the flutist Everard van Royen. Flothuis completed the composition on April 14, 1944, van Royen's birthday.
The "premiere" was a clandestine and deeply moving event within the camp. Everard van Royen performed the piece for his fellow prisoners near the barbed-wire fence that separated the men's and women's camps.
Tineke Wibaut-Guilonard, a woman prisoner, described the emotional scene in her diary:
“After the last tones, there was silence, a deep silence. Then from the women's camp, the 'Ave Maria' is heard, sung by the bright girl's voice of Louise de Montel, 'the Nightingale of Vught'. This was one of those moments that we, as prisoners of Vught, forgot the reality of our situation. A moment of hope and confidence.”
The title "Aubade" means a "morning love song" or a song appropriate for dawn. The contrast between this bright, hopeful title and the grim reality of a concentration camp setting adds to the piece's emotional weight.
Flothuis Marius
Marius Flothuis (1914–2001) was a prominent Dutch composer, musicologist, conductor, and critic. His life and career were deeply intertwined with the cultural and political landscape of the Netherlands throughout the 20th century.
Born in Amsterdam, Flothuis began his formal studies in classical languages before pursuing musicology at the University of Amsterdam. He studied composition privately with the Dutch composer Hendrik Andriessen.
Flothuis's life was profoundly affected by the Nazi occupation of the Netherlands during World War II. He worked as an assistant artistic director for the Concertgebouw Orchestra but was dismissed in 1942 for his refusal to join the Nazi-controlled Kultuurkamer (Chamber of Culture). He subsequently joined the Dutch resistance movement. In 1943, he was arrested and interned in the concentration camps of Amstelveenseweg and Vught. During this time, he continued to compose music mentally, including his Sonata da Camera for flute and piano. He miraculously survived the camps and was liberated in 1945.
After the war, Flothuis resumed his distinguished career. He served as the artistic director of the Concertgebouw Orchestra from 1953 to 1955 and later as the artistic director of the Dutch Opera. He was a respected professor of musicology at the University of Utrecht from 1974 to 1983.
Flothuis's compositions are generally written in a neoclassical style, characterized by clarity, balance, and masterful craftsmanship. He was heavily influenced by French composers such as Ravel, Roussel, and Milhaud, as well as the work of Benjamin Britten. His music is lyrical and often features intricate polyphony. While he wrote in many genres, his works for chamber ensemble and solo instruments are particularly celebrated.