20th century
Baroque
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20th century
21st century
Solo repertoire
Piccolo
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Françaix Jean
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
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Baton, René-Emmanuel
Beaser, Robert
Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
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Divertimento for flute and piano
Divertimento for flute and piano
J. Françaix: Divertimento for Flute and Piano was written in 1953 and dedicated to Jean-Pierre Rampal. It was premiered by Jean-Pierre Rampal and the composer, Jean Françaix, at the piano in 1954. In 1974, it was orchestrated for flute and orchestra.
The piece is characterized by rapid harmonic shifts, playful syncopation, and a "neoclassical" clarity that demands extreme rhythmic precision from both the flute and piano.
The two last movements of Divertimento are taken from the ballet Le Roi Nu (The Naked King), based on Hans Christian Anderson’s "The Emperor’s New Clothes." (1935).
In 1953, the musical world was increasingly dominated by the rigorous serialism of the Second Viennese School and Pierre Boulez. Françaix, however, remained staunchly committed to tonality and neo-classicism. He famously stated his goal was to "give pleasure," and the Divertimento was a direct pushback against the perceived "seriousness" of the avant-garde.
In 1953, Françaix was highly active as a touring pianist and composer. He was also deeply involved in writing for film and ballet, which influenced the theatrical and rhythmic character of the Divertimento.
Vito Lattarulo (piano), 2015, Gramola
1. Toccatina; 2. Notturno; 3. Perpetum Mobile; 4. Romanza; 5. Finale
Françaix Jean
Jean Françaix (1912-1997) was a prolific French composer, pianist, and orchestrator known for maintaining the ideals of French Neoclassicism throughout the 20th century.
Born in Le Mans, France, Françaix was raised in a highly professional musical environment. His father was the director of the Le Mans Conservatory, and his mother was a noted singing teacher and founder of a professional choir.
He began composing at age six, his talent was so evident that the famous composer Maurice Ravel encouraged his parents, famously writing to them: "Among the child’s gifts I observe above all the most fruitful an artist can possess, that of curiosity."
The most defining aspect of his education was his study with the legendary Nadia Boulanger, who considered him one of her most gifted pupils. Under her tutelage, he developed a flawless technique and a lifelong devotion to the music of Mozart and Stravinsky.
Françaix remained remarkably consistent in his style. While his contemporaries explored atonality, he championed tonality and the "esprit gaulois" (Gallic wit). He once described his goal as writing music that "aims to please."
Françaix curiosity, ability to explore and constantly move forward resulted in over 200 works from which the most profound work is L'Apocalypse de St Jean, the "fantastic oratorio" which was written with sense of approaching catastrophe (1939) and use of electric guitar which may reflect Françaix's idea of Hell. Besides many compositions in neo-Classical style Françaix is also known for his orchestration of works by Chopin, Mozart, Schubert etc.