Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
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Alto flute
Bass flute
Gade Niels Wilhelm
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Capriccio for flute and piano
N. W. Gade: Capriccio for flute and piano was written in 1878, originally for violin and piano.
The "Capriccio" was commissioned to be performed in Dresden at the celebrations of the silver wedding anniversary of Albert, King of Saxony, and his wife, Queen Carola.
Gade wrote it for violin and piano, although he had been asked to compose it for violin and orchestra. Gade never orchestrated it himself; the published orchestral arrangement was later completed by Carl Reinecke.
Niels Wilhelm Gade (1817–1890) was the most important Danish musician of his generation: a distinguished composer, conductor, violinist, organist, and educator who became a central figure in Scandinavian musical nationalism during the Romantic era.
Born in Copenhagen, Gade began his career as a violinist in the Royal Danish Orchestra. His early works quickly showed significant promise. His breakthrough came with his first symphony, which was rejected in Denmark but championed by Felix Mendelssohn in Germany. Gade traveled to Leipzig, where Mendelssohn premiered the symphony in 1843, launching Gade's international career.
Gade worked closely with Mendelssohn, serving as assistant conductor of the prestigious Leipzig Gewandhaus Orchestra and even briefly taking over as principal conductor after Mendelssohn's sudden death in 1847.
Political tensions due to the First Schleswig War forced Gade to return to Copenhagen in 1848. Back in Denmark, he became the leading force in Danish musical life. He held various prestigious positions: he was the director of the Copenhagen Music Society, an organist, and a professor at the new Copenhagen Conservatory, which he helped found with the composer Johan Peter Emilius Hartmann.
Gade’s music is strongly influenced by the German Romantic tradition of Mendelssohn and Schumann, but he infused it with a distinct Scandinavian flavor, incorporating Danish and Norwegian folk tunes and a Nordic lyrical melancholy.
Major Works: Symphony No. 1 in C minor, Op. 5 ("Spring Awakening"), dramatic cantata Elverskud (The Elf-King's Daughter), Op. 30, and Efterklange af Ossian (Echoes of Ossian) Overture.