21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Garrop Stacy
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Phoenix Rising" for solo Flute and Alto Flute
Stacy Garrop: Phoenix Rising for solo Flute and Alto Flute was written in 2016. The piece was commissioned in 2016 by the saxophonist Christopher Creviston for solo soprano saxophone. Garrop subsequently arranged the work for solo flute/alto flute (one player) and dedicated it to American flutist Christina Castellanos.
The piece is a programmatic depiction of the life cycle of the phoenix. In mythological and literary traditions, the
Phoenix is the universal symbol of the eternal cycle, representing death and rebirth through fire. The Phoenix is described as a bird of immense beauty, often with gold and scarlet plumage, that lives for 500 to 1,000 years. It is a solitary creature, usually associated with the Sun.
The piece consists of two movements:
1. Dying in Embers
The alto flute represents this "heavy" aging process. The low, breathy tones evoke the bird building its nest of cinnamon and myrrh. In the most famous part of the legend, the Phoenix settles into its nest and ignores the fear of death. It calls upon the Sun to ignite the nest. The bird is then consumed by a magnificent, purifying fire, reducing its body to a pile of ash.
2. Reborn in Flames
Performed on C flute, the music shifts to the high register with rapid, bird-like trills and soaring scales, representing the first flight of the newly reborn creature.
From the cooling ashes, a new, young Phoenix emerges. In some versions, the young bird first wraps the ashes of its predecessor in an egg of myrrh and flies them to the City of the Sun (Heliopolis) to be placed on the altar of the Sun God.
The moral of the story is not about avoiding death, but about the necessity of destruction for the sake of renewal. In modern contexts, it is often used to describe resilience after trauma or the "rebirth" of a creative spirit.
Christina Castellanos (Alto / C flute), live at The Space in Las Vegas, December 24, 2025
1. Dying in embers; 2. Reborn in flames
Stacy Garrop (1969) is an American composer, a prominent figure in 21st-century American music.
Born in Los Angeles, California, she grew up in a household where she was encouraged to explore the arts, beginning her musical journey as a pianist and saxophonist. She studied composition with William Albright and William Bolcom at the University of Michigan. She received her Master of Music, studying with Shulamit Ran at the University of Chicago. At Indiana University, she completed her Doctor of Music (D.M.), studying with Don Freund.
For many years, Garrop served as a Professor of Composition at the Chicago College of Performing Arts at Roosevelt University. During her tenure, she became a mentor to a new generation of American composers.
Her music is often described as programmatic or "storytelling" music. She frequently draws inspiration from mythology (as seen in Phoenix Rising), literature, and historical events.
In 2016, she made the significant transition to becoming a full-time independent composer. She has held prestigious residencies, including serving as the first emerging composer-in-residence with the Champaign-Urbana Symphony Orchestra.