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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Garrop Stacy

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Phoenix Rising" for solo Flute and Alto Flute

"Phoenix Rising" for solo Flute and Alto Flute

By Garrop Stacy

Stacy Garrop: Phoenix Rising for solo Flute and Alto Flute was written in 2016. The piece was commissioned in 2016 by the saxophonist Christopher Creviston for solo soprano saxophone. Garrop subsequently arranged the work for solo flute/alto flute (one player) and dedicated it to American flutist Christina Castellanos.
The piece is a programmatic depiction of the life cycle of the phoenix. In mythological and literary traditions, the
Phoenix is the universal symbol of the eternal cycle, representing death and rebirth through fire. The Phoenix is described as a bird of immense beauty, often with gold and scarlet plumage, that lives for 500 to 1,000 years. It is a solitary creature, usually associated with the Sun.
The piece consists of two movements:
1. Dying in Embers
The alto flute represents this "heavy" aging process. The low, breathy tones evoke the bird building its nest of cinnamon and myrrh. In the most famous part of the legend, the Phoenix settles into its nest and ignores the fear of death. It calls upon the Sun to ignite the nest. The bird is then consumed by a magnificent, purifying fire, reducing its body to a pile of ash.
2. Reborn in Flames
Performed on C flute, the music shifts to the high register with rapid, bird-like trills and soaring scales, representing the first flight of the newly reborn creature.
From the cooling ashes, a new, young Phoenix emerges. In some versions, the young bird first wraps the ashes of its predecessor in an egg of myrrh and flies them to the City of the Sun (Heliopolis) to be placed on the altar of the Sun God.

The moral of the story is not about avoiding death, but about the necessity of destruction for the sake of renewal. In modern contexts, it is often used to describe resilience after trauma or the "rebirth" of a creative spirit.

Christina Castellanos (Alto / C flute), live at The Space in Las Vegas, December 24, 2025

1. Dying in embers; 2. Reborn in flames

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Amanda Pond (Alto / C flute), live performance at the Foellinger Great Hall, Krannert Center for the Performing Arts, 2019

1. Dying in embers; 2. Reborn in flames

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Garrop Stacy

Stacy Garrop (1969) is an American composer, a prominent figure in 21st-century American music.
Born in Los Angeles, California, she grew up in a household where she was encouraged to explore the arts, beginning her musical journey as a pianist and saxophonist. She studied composition with William Albright and William Bolcom at the University of Michigan. She received her Master of Music, studying with Shulamit Ran at the University of Chicago. At Indiana University, she completed her Doctor of Music (D.M.), studying with Don Freund.
For many years, Garrop served as a Professor of Composition at the Chicago College of Performing Arts at Roosevelt University. During her tenure, she became a mentor to a new generation of American composers.
Her music is often described as programmatic or "storytelling" music. She frequently draws inspiration from mythology (as seen in Phoenix Rising), literature, and historical events.
In 2016, she made the significant transition to becoming a full-time independent composer. She has held prestigious residencies, including serving as the first emerging composer-in-residence with the Champaign-Urbana Symphony Orchestra.