20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
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Gaubert Philippe
Aitken, Robert
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Madrigal for flute and piano, Op. 9, No. 1
Ballade for flute and piano in G minor
Romance No 1 for flute and piano
Nocturne and Allegro Scherzando for flute and piano in D-flat Major
Romance No 2 for flute and piano
Madrigal for flute and piano, Op. 9, No. 1
"Divertissement Grec" for flute and piano
Fantasie for flute and piano in G minor
Deux Esquisses for flute and piano
Sicilienne for flute and piano
Sonata for flute and piano in A Major
Sonata for flute and piano in C Major
Philippe Gaubert: "Madrigal" for flute and piano, Op. 9, No. 1 was written in 1908 and dedicated to Adolphe Hennebains, who was Gaubert's colleague and the successor to Paul Taffanel at the Paris Opéra.
The title refers to the Renaissance vocal form. It is written in a graceful, pastoral style, as a lyric song that emphasizes a "singing" tone. Unlike the difficult concours pieces, this was a "character piece" intended for the salon, focusing on nuance, breath control, and vibrato rather than finger speed.
Gaubert’s compositional style was deeply rooted in the French Romantic tradition, which Franck pioneered. The piano introduction of "Madrigal" appears to be directly inspired by the beginning of César Franck’s Sonata. Both works open with a series of ethereal, shifting chords in the piano that establish a "mysterious and evocative" atmosphere before the soloist enters.
By 1908, Gaubert’s style had moved beyond early student exercises into a refined Belle Époque aesthetic. "Madrigal" reflects the sophisticated simplicity and "vocal" elegance that he and Hennebains championed as the core of the French Flute School.
1908 was a monumental year for the French Flute School because it marked the death of Paul Taffanel, the mentor to both Gaubert and Hennebains. The composition of "Madrigal" occurred as Gaubert was stepping into a leadership role to preserve Taffanel’s legacy.
Yuko Mizutani (piano), 2019, live performance at Fundación Juan March, Madrid
Madrigal
Philippe Gaubert (1879-1941) was a French flutist, conductor, and composer who primarily wrote music for the flute.
Born in Paris, Gaubert displayed exceptional musical talent early. He entered the Conservatoire de Paris, where he studied flute with Paul Taffanel, the founder of the modern French Flute School. He excelled not just as a flutist but also as a composer, winning the prestigious Prix de Rome in 1905 with his dramatic scene Sinfonietta and his cantata Daphnis.
Gaubert quickly established a brilliant career. By age 18, he was co-principal flutist at the Paris Opéra orchestra. He co-founded the Société Moderne d'Instruments à Vent (Modern Society for Wind Instruments) to promote new works for winds.
His career was interrupted by World War I, where he served with distinction as an artillery officer and was decorated for bravery. The war had a profound impact on him.
After the war, Gaubert's career reached its zenith when he simultaneously attained three of the most important musical positions in France - Principal Conductor of the Paris Opéra (1918), Conductor of the Société des Concerts du Conservatoire, and Professor of Flute at the Paris Conservatoire (1919).
Among his most notable students: Marcel Moyse.
Gaubert's compositional style is deeply rooted in the French Romantic and Impressionistic traditions, showing the influence of Fauré and Debussy. His music is characterized by lyrical elegance, delicate harmonies, lush colors, and a natural feel for the capabilities of the instruments, especially the flute.
As the favourite pupil of Taffanel, Gaubert received a complete archive of Taffanel's life's work, including history, theory, and practice of the flute, to be finished and published. Gaubert completed this project in 1923, and until today the Taffanel and Gaubert method remains a very important source for flutists around the world.