This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Ghidoni Armando

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Jazzy Flute Challenge for flute and piano

By Ghidoni Armando

Armando Ghidoni: Jazzy Flute Challenge for flute and piano was written in 2004 and dedicated to the world-renowned flutist Jean Ferrandis.
Around 2004, there was a growing movement in European conservatories to incorporate jazz and world music elements into classical training. Ghidoni, already a master of jazz harmony, utilized this trend to create a series of pieces that taught classical flutists "swing" and syncopation without sacrificing academic tonal quality. As the title implies, the "challenge" lies in the syncopated rhythms and the ability to find a true "swing" feel within a classical context.
The piece makes extensive use of blue notes and jazz-inflected modulations, creating a "smoky" and cinematic atmosphere.
By 2004, Ghidoni's signature blend—Italianate melody, French impressionist harmony, and American jazz energy, had reached full maturity. Jazzy Flute Challenge serves as a "microcosm" of this style, balancing sophisticated 7th and 9th chords with high-energy rhythmic patterns.

Aslıhan And (Flute), Kandemir Basmacıoğlu (piano), 2025, Aslıhan And

1. Allegro vivo; 2. Lento; 3. Vivace con fuoco

00:00
YouTube icon

Ghidoni Armando

Armando Ghidoni (1954) is an Italian composer who has lived and worked in France for decades. He is widely recognized as a "bridge-builder" between the melodic traditions of Italy and the harmonic sophistication of the French school.
Growing up in Italy, Ghidoni was deeply immersed in the world of Opera and the bel canto (beautiful singing) tradition. This early exposure instilled in him a permanent focus on the "singing" quality of melodic lines, regardless of the instrument. Seeking to expand his musical horizons, Ghidoni moved to France, where he absorbed the aesthetic of French Impressionism. This transition was crucial, as it allowed him to blend the structural clarity of Italian music with the colorful, atmospheric harmonies of composers like Ravel and Debussy.
His compositional style is frequently categorized as "Eclectic Lyricism." This term describes his unique ability to integrate classical forms, operatic drama, and jazz elements. His music often features "blue notes" and sophisticated seventh chords wrapped in a traditional melodic shell. Ghidoni is often cited as a key figure in the "New Lyrical" movement. This movement emerged as a reaction to the highly dissonant and abstract avant-garde of the mid-20th century, favoring music that is accessible, evocative, and deeply personal.
Since the 1990s, Ghidoni has been one of the most performed living composers in French conservatories.