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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Gibb Charles

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Duo for flute and piano

Duo for flute and piano

By Gibb Charles

Charles Gibb: Duo for flute and piano was written between 2013 and 2019. The piece consists of four movements:
1. Here
It begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies, including the tonic, dominant, and leading tone, can be found in each of the four movements.
2. Open
A striking piano gesture launches 'Open', the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato.
3. Stark
It is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct.
4. Ardent
This movement spans a wide range of musical emotion.

"This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone."

Chappy (Charles) Gibb

Charles Gibb (flute), Kate Stevens (piano), live performance at the University of North Texas, October 2019

1. Here

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Charles Gibb (flute), Kate Stevens (piano), live performance at the University of North Texas, October 2019

2. Open

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Charles Gibb (flute), Kate Stevens (piano), live performance at the University of North Texas, October 2019

3. Stark

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Charles Gibb (flute), Kate Stevens (piano), live performance at the University of North Texas, October 2019

4. Ardent

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Gibb Charles

Charles “Chappy” Gibb (1989) is a multi-instrumentalist, composer, and educator based in Texas. Known for his versatility as both a flutist and pianist, he is frequently cited for his "symphonic" approach to chamber music, often performing both the flute and piano roles of complex works in separate recordings or recitals.
He earned a Doctor of Musical Arts (DMA) in Flute Performance from the University of North Texas (UNT). His doctoral recitals (2017–2018) highlighted his interest in multi-instrumentalism and contemporary chamber repertoire, including Benjamin Britten’s Gemini Variations.
During his doctoral studies, he won the 2019 National Collegiate Solo Competition held by the National Flute Association (NFA). He currently teaches at the University of North Texas as an adjunct instructor and collaborator.
His composition style reflects his dual background. Both instruments are treated with equal virtuosity and "exuberant romanticism".