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Glière Reinhold

Akimenko, Theodore

Albeniz, Isaac

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Bellini, Vincenzo

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Glière, Reinhold

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Widor, Charles Marie Jean Albert

Melody and Waltz for flute and piano, Op. 35

Melody and Waltz for flute and piano, Op. 35

By Glière Reinhold

Reinhold Glière: Melody and Waltz for flute and piano are the first two movements of his Eleven Pieces, Op. 35, originally composed for various woodwind instruments with piano accompaniment in 1908.
Individual pieces within the set were dedicated to specific wind players of the Moscow scene. "Melody" and "Waltz" (Op. 35, Nos. 1 & 2) were dedicated to Vladimir Tsibin, the principal flutist of the Bolshoi Theatre and a professor at the Moscow Conservatory. Tsibin is considered the "Father of the Russian Flute School." He studied flute under Wilhelm Kretschmann at the Moscow Conservatory, who is credited with bringing the Boehm system flute to Moscow and was known for a "beautiful and even sound," which deeply influenced Tsibin’s own tonal ideals.
These pieces represent the height of Russian National Romanticism. Glière was a contemporary of Rachmaninoff and Scriabin. However, unlike Scriabin’s move toward mysticism, Glière remained committed to the lush, lyrical traditions of Tchaikovsky and Rimsky-Korsakov.
In 1908, Glier just won his second Glinka Prize for his Symphony No. 2 in C minor. Still, while writing massive orchestral works, he remained dedicated to the Russian tradition of "shorter forms." Op. 35 was part of a larger effort to provide high-quality, romantic literature for wind instruments, which were often underserved compared to strings and piano at that time.

Christian Delafontaine (flute), Marina Mourtazine (piano), 1996, GALLO / ORCHARD

1. Melody

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Christian Delafontaine (flute), Marina Mourtazine (piano), 1996, GALLO / ORCHARD

2. Valse

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Hye Sung Choe (flute), Aurelien Eulert (piano), February 21, 2012, live performance at the Rancho Mirage Library

1. Melody; 2. Valse

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Glière Reinhold

Reinhold Glière (1875–1956) was a Russian composer, considered a central figure in the transition from Russian Imperial Romanticism to Soviet musical realism.
Born in Kyiv (then part of the Russian Empire), Glière was the son of a master wind-instrument maker of German-Polish descent. He began violin lessons at a young age and entered the Kyiv College of Music before moving to the Moscow Conservatory in 1894. There, he studied composition under Anton Arensky, Sergei Taneyev, and Mikhail Ippolitov-Ivanov. These mentors instilled in him a strict adherence to classical form and polyphony.
He was a pioneer in ethnomusicology, traveling to Azerbaijan and Uzbekistan to study folk music. This research resulted in works like the opera Shah-Senem, which fused Middle Eastern melodic structures with Western symphonic techniques. He famously gave private lessons to an eleven-year-old Sergei Prokofiev and later served as the Director of the Kyiv Conservatory (1913–1920) before returning to the Moscow Conservatory as a professor. Despite the political upheavals of his time, Glière remained highly decorated, winning the Stalin Prize three times and the Glinka Prize three times.
His music is characterized by expansive lyricism, a mastery of orchestration, and a total avoidance of the "atonal" or "avant-garde" movements of the 20th century. Among his most noteworthy compositions:
Symphony No. 3 (1911), Concerto for Harp and Orchestra (1938), and Concerto for Coloratura Soprano and Orchestra (1943).