Romantic
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Glière Reinhold
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Melody and Waltz for flute and piano, Op. 35
Reinhold Glière: Melody and Waltz for flute and piano are the first two movements of his Eleven Pieces, Op. 35, originally composed for various woodwind instruments with piano accompaniment in 1908.
Individual pieces within the set were dedicated to specific wind players of the Moscow scene. "Melody" and "Waltz" (Op. 35, Nos. 1 & 2) were dedicated to Vladimir Tsibin, the principal flutist of the Bolshoi Theatre and a professor at the Moscow Conservatory. Tsibin is considered the "Father of the Russian Flute School." He studied flute under Wilhelm Kretschmann at the Moscow Conservatory, who is credited with bringing the Boehm system flute to Moscow and was known for a "beautiful and even sound," which deeply influenced Tsibin’s own tonal ideals.
These pieces represent the height of Russian National Romanticism. Glière was a contemporary of Rachmaninoff and Scriabin. However, unlike Scriabin’s move toward mysticism, Glière remained committed to the lush, lyrical traditions of Tchaikovsky and Rimsky-Korsakov.
In 1908, Glier just won his second Glinka Prize for his Symphony No. 2 in C minor. Still, while writing massive orchestral works, he remained dedicated to the Russian tradition of "shorter forms." Op. 35 was part of a larger effort to provide high-quality, romantic literature for wind instruments, which were often underserved compared to strings and piano at that time.
Reinhold Glière (1875–1956) was a Russian composer, considered a central figure in the transition from Russian Imperial Romanticism to Soviet musical realism.
Born in Kyiv (then part of the Russian Empire), Glière was the son of a master wind-instrument maker of German-Polish descent. He began violin lessons at a young age and entered the Kyiv College of Music before moving to the Moscow Conservatory in 1894. There, he studied composition under Anton Arensky, Sergei Taneyev, and Mikhail Ippolitov-Ivanov. These mentors instilled in him a strict adherence to classical form and polyphony.
He was a pioneer in ethnomusicology, traveling to Azerbaijan and Uzbekistan to study folk music. This research resulted in works like the opera Shah-Senem, which fused Middle Eastern melodic structures with Western symphonic techniques. He famously gave private lessons to an eleven-year-old Sergei Prokofiev and later served as the Director of the Kyiv Conservatory (1913–1920) before returning to the Moscow Conservatory as a professor. Despite the political upheavals of his time, Glière remained highly decorated, winning the Stalin Prize three times and the Glinka Prize three times.
His music is characterized by expansive lyricism, a mastery of orchestration, and a total avoidance of the "atonal" or "avant-garde" movements of the 20th century. Among his most noteworthy compositions:
Symphony No. 3 (1911), Concerto for Harp and Orchestra (1938), and Concerto for Coloratura Soprano and Orchestra (1943).