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Classical

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Gossec Francois-Joseph

Beethoven, Ludwig van

Cambini, Giovanni Giuseppe

Campagnoli, Bartolomeo

Devienne, François

Gluck, Christoph Willibald

Gossec, Francois-Joseph

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Hartmann, Johan Peter

Haydn, Franz Joseph

Haydn, Johann Michael

Hoffmeister, Franz Anton

Hugot, Antoine

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Lebrun, Ludwig August

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Nicolai, Johann Gottlieb

Piccinni, Niccolò

Pleyel, Ignace Joseph

Rault, Felix

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Wagenseil, Georg Christoph

Wendling, Johann Baptist

Wunderlich, Johann Georg

Tambourin for flute and piano

Tambourin for flute and piano

By Gossec Francois-Joseph

François-Joseph Gossec: Tambourin for flute and piano was written in 1786. The piece is a dance movement from Gossec’s three-act lyric tragedy (opera) titled "Le triomphe de la République, ou Le camp de Grandpré", originally scored for orchestra. The flute and piano version is a 19th-century arrangement that became so popular it eventually overshadowed the opera itself.
In the 18th century, a Tambourin was a traditional Provençal dance characterized by a fast 2/4 meter and a repetitive, "drone" bass line that mimics a small drum (the tambourin) accompanying a fife.
In 1793, the year of the premiere, France was in the midst of the Reign of Terror. Gossec’s opera was a "propaganda" piece intended to celebrate French military victories. Gossec was the "Official Composer of the French Revolution." During the years this music was finalized and premiered, he was moving away from the service of the aristocracy (like the Prince de Condé) to become the musical voice of the New Republic.
Because of this political climate, the Tambourin is not just a "cute" dance; it was meant to evoke the rustic, Folk energy of the French people (the sans-culottes) rising in celebration.

James Galway

Charles Gerhardt (conductor), National Philharmonic Orchestra, 1978, Sony Music Entertainment / RCA Red Seal

Tambourin

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János Bálint

Deborah Sipkai (harp), 1998, Capriccio / Naxos

Tambourin

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Gossec Francois-Joseph

François-Joseph Gossec (1734–1829) was a French composer, a pivotal figure in French music, serving as a bridge between the Ancien Régime and the French Revolution.
Born in Vergnies, a small village in the Austrian Netherlands (modern-day Belgium), in a family of farmers, he was exposed to music through his duties as a choirboy at the Cathedral of Notre Dame in Antwerp.
At the age of 17, he moved to Paris with a letter of recommendation to Jean-Philippe Rameau. Rameau helped him secure a position as a violinist and later conductor in the private orchestra of the wealthy patron Le Riche de La Pouplinière. Under the guidance of Johann Stamitz, who visited Paris in the 1750s, Gossec was exposed to the Mannheim School of orchestral playing, which led him to compose the first symphonies ever published in France in 1754. Following the fall of the monarchy, Gossec became the musical voice of the First French Republic. He composed massive outdoor hymns and festivals for the state, utilizing large wind bands to reach the "citizen masses".
He was one of the founders and first inspectors of the Paris Conservatoire (1795), ensuring that his rigorous Classical standards would be passed on to future generations of French musicians.
While he is now most famous for the "Tambourin," his output was vast, including over 50 symphonies, numerous operas, and the influential Grande Messe des Morts (1760), which pre-dated and likely influenced the Requiems of Mozart and Berlioz.