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20th century

21st century

Solo repertoire


Alto flute

Bass flute

Graf Friedrich Hartmann

Beethoven, Ludwig van

Devienne, François

Gluck, Christoph Willibald

Graf, Friedrich Hartmann

Grétry, André Ernest Modeste

Haydn, Franz Joseph

Hoffmeister, Franz Anton

Hummel, Johann Nepomuk

Jadin, Louis-Emmanuel

Mozart, Wolfgang Amadeus

Müller, August Eberhard

Reicha, Josef

Romberg, Bernhard

Rosetti, Francesco Antonio

Schwindel, Friedrich

Stamitz, Anton

Stamitz, Carl Philipp

Concerto for flute and orchestra in G Major

Concerto for flute and orchestra in G Major

By Graf Friedrich Hartmann

F.H. Graf: Concerto for flute and orchestra in G Major  most likely was written in the middle of 1770’s, along with his other flute concertos that were composed around that time while serving as Kantor in Augsburg.

Gaby Pas-Van Riet

Südwestdeutsches Kammerorchester Pforzheim, Johannes Moesus (conductor), 2013

1. Allegro, 2. Andante grazioso, 3. Allegro

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Graf Friedrich Hartmann

Friedrich Hartmann Graf (1727 - 1795) was a highly esteemed German flutist and composer of his time. He received his initial musical education from his father, Johann Graf, the Kapellmeister of Rudolstadt, and joined Dutch army regiment as a drummer. Upon returning from the army and imprisonment by the English he pursued his musical career as a flutist and conductor in Hamburg at the same time touring extensively throughout Europe.
In 1764 he was appointed the first flute position at the chapel of the stadtholder’s court in the Hague by his older brother, Christian Ernst Graf who was a Kapellmeister of William V, the Prince of Orange at that time.

Gradually Friedrich Graf became the music director at various Protestant churches, eventually becoming a cantor of St. Anna in Augsburg, Bavaria where he founded a civil society concert in 1779, actually becoming the town’s musical director. At one of these concerts W.A.Mozart was present and truly impressed by flute playing and improvisation abilities of Friedrich Hartmann. Even though he liked the Friedrich as a man, he was not impressed by his composer’s abilities, later writing to his father L. Mozart “The poor Fellow must have had plenty of trouble writing it all”. During his musical career he had mostly composed concertos for flute and cello as well as various chamber music works.