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20th century

Baroque

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Solo repertoire

Piccolo

Alto flute

Bass flute

Gubajdulina Sofia

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

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Berg, Gunnar

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Bon, Maarten

Bonis, Mel

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Bourdin, Roger

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Bowen, Edwin York

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Brings, Allen

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Carmichael, John

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Gordeli, Otar

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Guarnieri, Mozart Camargo

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Hahn, Reynaldo

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Vasks, Pēteris

Weigl, Vally

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Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Sonatina for Solo Flute

Sonatina for Solo Flute

By Gubajdulina Sofia

Sofija Gubajdulina: Sonatina for Solo Flute was written in 1978, just before she was blacklisted by the Composers' Union in 1979 for her participation in Western music festivals and her "unorthodox" approach to music. Her works were often suppressed or rarely performed officially in her homeland.
The context surrounding the piece is deeply rooted in the composer's philosophy of exploring the spiritual and mystical aspects of music within the restrictive environment of the Soviet Union.
Gubaidulina views music as a means of connecting with the spiritual self and exploring the boundaries of human existence. The "Sonatina," despite its traditionally light title, is likely an exploration of this philosophy, using the solo flute to represent the isolated, searching individual voice.
The piece gained recognition later as Gubaidulina's music became more widely known in the West, after she was allowed to travel and eventually emigrate in the early 1990s.

Mario Bruno

Live performance, 19 January, 2020, HMDK Staatliche Hochschule für Musik, Stuttgart.

Sonatina

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Gubajdulina Sofia

Sofia Gubajdulina (1931–2025) was one of the most significant Soviet and Russian composers of her era, known for her deeply spiritual and modernist approach to music. Her work is characterized by a unique fusion of Eastern and Western musical traditions and a commitment to exploring the mystical dimensions of sound.
Born in Chistopol, in the Tatar Autonomous Soviet Socialist Republic, Gubajdulina studied composition and piano at the Kazan Conservatory. She continued her postgraduate studies at the Moscow Conservatory, where she faced initial criticism for her "mistaken path" in composition from figures who supported Socialist Realism. Dmitri Shostakovich, however, recognized her talent and encouraged her to continue her unique path.
Gubajdulina viewed composing as a sacred act and music as a way to connect the finite with the infinite. She was baptized into the Russian Orthodox Church in the 1970s, and her deep Christian faith informed her entire creative output, often incorporating religious and symbolic titles.
Her international breakthrough came with the premiere of her violin concerto Offertorium in Vienna in 1981, performed by the celebrated violinist Gidon Kremer. Following the loosening of travel restrictions, she emigrated to Germany in 1992, settling near Hamburg, where she lived the rest of her life.