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Hahn Reynaldo

Akimenko, Theodore

Albeniz, Isaac

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Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

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Glière, Reinhold

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Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

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Jadassohn, Solomon

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Vitali, Tomaso Antonio

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Widor, Charles Marie Jean Albert

"Chansons grises": No. 5. L'heure exquise

By Hahn Reynaldo

Reynaldo Hahn: "Chansons grises": No. 5. L'heure exquise for flute and piano was written in 1890, originally as the fifth song in his famous vocal cycle "Chansons grises" (Grey Songs). The piece was inspired by the poems of Paul Verlaine.
In the context of 19th-century French Symbolism, "grey" does not merely refer to a color but to a state of mind and a musical quality. Verlaine famously championed the "art poétique" where nuance is preferred over color, specifically the "grey song" (la chanson grise) where the "Indecisive joins the Precise".
Even though the cycle was dedicated to Verlaine's friend, Charles de Sivry, the song "L'heure exquise" (The Exquisite Hour) is dedicated to Madame Jane Courthion. The cycle was first performed privately in the salon of Alphonse Daudet in 1891, with Hahn singing and playing the piano. The legendary soprano Sybil Sanderson was also among the first to champion the piece in Parisian salons.
The year 1890 was a pivotal "prodigy year" for the young Reynaldo Hahn, who was 16 years old and considered a "genius" pupil" by Jules Massenet at the Paris Conservatoire. The "flute-like" clarity of the accompaniment in L'heure exquise is often cited as a direct influence of Massenet's transparent orchestration style.
Hahn actually met the poet Paul Verlaine in 1890. According to Hahn’s own journals and biographical accounts by Gavoty, Verlaine heard the young Hahn play these settings of his poems and was moved to tears. This encounter solidified Hahn's position as the primary musical interpreter of the "Symbolist" movement in poetry.

Gaspar Hoyos

David Violi (piano), 2014, Fleur de Son / Naxos

L'heure exquise

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Hahn Reynaldo

Reynaldo Hahn (1874–1947) was a Venezuelan-born French composer, conductor, and critic who epitomized the elegance of the Parisian Belle Époque.
Born in Caracas, Venezuela, in a family of wealthy German-Jewish businessman. His family moved to Paris when Reynaldo was only three years old. A true child prodigy, Hahn entered the Paris Conservatoire at age ten, where he studied under titans of French music, including Jules Massenet (composition), Charles Gounod, and Camille Saint-Saëns.
By age thirteen, he wrote the song "Si mes vers avaient des ailes," which became an international sensation and remains one of his most famous works.
Hahn became a fixture in the elite Parisian salons, where he would sing his own works while accompanying himself at the piano, often with a cigarette dangling from his lips. In 1894, Hahn met the writer Marcel Proust. The two shared a profound romantic and intellectual relationship that deeply influenced both their careers. Despite the rise of radical modernism (Stravinsky, Schoenberg), Hahn remained a staunch defender of clarity, melody, and restraint, values he maintained throughout his life.
Although a naturalized citizen and a prominent artist, Hahn insisted on serving at the front during World War I, an experience that deeply affected his later outlook. He gained fame as a conductor, particularly of Mozart, and was appointed director of the Paris Opéra after World War II, helping to revitalize the institution after the Nazi occupation.
His music is characterized by a "discreet and refined sensuality," marked by fluid melodic lines and a sophisticated, though never overbearing, harmonic palette.