20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Hahn Reynaldo
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
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Hahn, Reynaldo
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Halphen, Fernand
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Two Pieces for flute and piano
Two Pieces for flute and piano
Reynaldo Hahn: Two Pieces for flute and piano were written in 1913. The first piece, Danse pour une déesse (Dance for a Goddess) was dedicated to Madame Fernand Halphen, the wife of composer Fernand Halphen, a prominent patroness of the arts in Paris.
The second: L'Enchanteur (The Enchanter) is dedicated to Louis Fleury, one of the most significant flautists of the early 20th century, famous for premiering Debussy’s Syrinx.
The pieces were premiered in 1913 at a concert of the Société de Musique de Chambre pour Instruments à Vent in Paris by Louis Fleury and Reynaldo Hahn at the piano.
In 1913, Hahn was deeply immersed in the "Neo-Greek" aesthetic that swept through Paris (inspired by Isadora Duncan and the Ballets Russes). These two pieces move away from the "sentimental salon" and toward a "Stile Antico." They employ modal scales and rhythmic structures intended to evoke ancient rituals—a trend also evident in the works of his contemporaries, such as Ravel and Roussel.
Hahn’s friendship with Louis Fleury was vital. Fleury was a scholar-performer who was reviving 18th-century flute music. His influence pushed Hahn to write for the flute with more technical rigor and "silver-age" clarity. In L'Enchanteur, Hahn explores the flute’s agility and its historical association with "magic" (the title itself refers to a mythological or Merlin-like figure), using the instrument’s upper register more than in his earlier Nocturne.
1913 was the final year of the Belle Époque peace. Hahn was highly active as a conductor and critic for Le Journal. Despite the looming political tension in Europe, his music in 1913 remained resolutely focused on beauty and "The Ancient."
Hahn Reynaldo
Reynaldo Hahn (1874–1947) was a Venezuelan-born French composer, conductor, and critic who epitomized the elegance of the Parisian Belle Époque.
Born in Caracas, Venezuela, in a family of wealthy German-Jewish businessman. His family moved to Paris when Reynaldo was only three years old. A true child prodigy, Hahn entered the Paris Conservatoire at age ten, where he studied under titans of French music, including Jules Massenet (composition), Charles Gounod, and Camille Saint-Saëns.
By age thirteen, he wrote the song "Si mes vers avaient des ailes," which became an international sensation and remains one of his most famous works.
Hahn became a fixture in the elite Parisian salons, where he would sing his own works while accompanying himself at the piano, often with a cigarette dangling from his lips. In 1894, Hahn met the writer Marcel Proust. The two shared a profound romantic and intellectual relationship that deeply influenced both their careers. Despite the rise of radical modernism (Stravinsky, Schoenberg), Hahn remained a staunch defender of clarity, melody, and restraint, values he maintained throughout his life.
Although a naturalized citizen and a prominent artist, Hahn insisted on serving at the front during World War I, an experience that deeply affected his later outlook. He gained fame as a conductor, particularly of Mozart, and was appointed director of the Paris Opéra after World War II, helping to revitalize the institution after the Nazi occupation.
His music is characterized by a "discreet and refined sensuality," marked by fluid melodic lines and a sophisticated, though never overbearing, harmonic palette.