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Hailstork Adolphus
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Yuhwa (The Goddess of the Willow Trees) for Flute Alone
Adolphus Hailstork: Yuhwa (The Goddess of the Willow Trees) for Flute Alone was written in 1998. The piece was commissioned by the National Flute Association (NFA) for the 1999 High School Soloist Competition.
The piece is based on the legend of Yuhwa, the mother of the founder of the ancient Korean kingdom of Goguryeo. According to the myth, she was the daughter of a river god and was associated with willow trees.
The name "Yuhwa" literally translates to "Willow Flower" (Yu for willow, Hwa for flower). In Korean folklore, the willow tree is a symbol of healing, resilience, and the "gentle but unbreakable" spirit of the goddess. Hailstork's piece uses the flute to mimic the swaying of willow branches and the flowing water of the river, capturing her "otherworldly nature" and "grace".
Hailstork wrote the piece during a time when he was exploring "nature-based" program music. The willow tree’s drooping, swaying branches are mirrored in the flute's descending chromatic lines and grace-note ornaments.
Adolphus Hailstork (1941) is an American composer, noted for a "dualistic" style that synthesizes rigorous European classical structures with the rich melodic and rhythmic traditions of African American music.
Raised in Albany, New York, his earliest musical experiences were as a chorister at the Episcopal Cathedral of All Saints. This liturgical upbringing instilled in him a lifelong affinity for vocal and choral writing, as well as a deep understanding of Western harmonic tradition. He attended Howard University, studying under Mark Fax, a pivotal figure in African American classical music.
In 1963, he traveled to France to study with the legendary Nadia Boulanger at the American Conservatory at Fontainebleau, an experience that refined his "French" sense of clarity and orchestration.
He earned a Bachelor of Music from Manhattan School of Music and eventually a Ph.D. in Composition from Michigan State University (1971), where he studied with H. Owen Reed.
Hailstork has spent much of his career in Virginia, serving as Professor and Composer-in-Residence at Norfolk State University and later Old Dominion University.
His style is frequently described in musicological journals as "Eclectic-Nationalist." He famously refuses to be pigeonholed, stating that his "ears have always been open" to everything from the polyphony of Bach to the "shouts" of the Black church.