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20th century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Hailstork Adolphus

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

Copland, Aaron

Corigliano, John

Cortese, Luigi

Currier, Sebastian

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

Davidovsky, Mario

De Lorenzo, Leonardo

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Del Tredici, David

DeLaney, Charles Oliver

Delerue, Georges

Denisov, Edison

Dèsbriere, Jacques

Dick, Robert

Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

Dukas, Paul

Durey, Louis

Dutilleux, Henri

Enescu, George

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Feld, Jindřich

Ferroud, Pierre-Octave

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Folio, Cynthia

Foote, Arthur

Foss, Lukas

Françaix, Jean

Fukushima, Kazuo

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Gál, Hans

Gaubert, Philippe

Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

Griffes, Charles Tomlinson

Grinblat, Romuald

Grovlez, Gabriel

Guarnieri, Mozart Camargo

Gubajdulina, Sofia

Hahn, Reynaldo

Hailstork, Adolphus

Halphen, Fernand

Hanson, Howard Harold

Harberg, Amanda

Harbison, John

Harsányi, Tibor

Harty, Hamilton

Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

Hindemith, Paul

Holliger, Heinz

Holmboe, Vagn

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Hoover, Katherine

Hosokawa, Toshio

Hovhaness, Alan

Hüe, Georges Adolphe

Hurel, Philippe

Ibert, Jacques

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Ives, Charles

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James, Bob

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Jongen, Joseph

Karg-Elert, Sigfrid

Kay, Ulysses

Kelterborn, Rudolf

Ķeniņš, Tālivaldis

Kennan, Kent Wheeler

Kennedy, Martin

Kernis, Aaron Jay

Khachaturian, Aram

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Koechlin, Charles

Kornauth, Egon

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Lauber, Joseph

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Maresz, Yan

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Schmidt, Ole

Schocker, Gary

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Sibelius, Jean

Smit, Leo

Tailleferre, Germaine

Takemitsu, Tōru

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Tansman, Alexandre

Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Yuhwa (The Goddess of the Willow Trees) for Flute Alone

By Hailstork Adolphus

Adolphus Hailstork: Yuhwa (The Goddess of the Willow Trees) for Flute Alone was written in 1998. The piece was commissioned by the National Flute Association (NFA) for the 1999 High School Soloist Competition.
The piece is based on the legend of Yuhwa, the mother of the founder of the ancient Korean kingdom of Goguryeo. According to the myth, she was the daughter of a river god and was associated with willow trees.
The name "Yuhwa" literally translates to "Willow Flower" (Yu for willow, Hwa for flower). In Korean folklore, the willow tree is a symbol of healing, resilience, and the "gentle but unbreakable" spirit of the goddess. Hailstork's piece uses the flute to mimic the swaying of willow branches and the flowing water of the river, capturing her "otherworldly nature" and "grace".
Hailstork wrote the piece during a time when he was exploring "nature-based" program music. The willow tree’s drooping, swaying branches are mirrored in the flute's descending chromatic lines and grace-note ornaments.

Molly Barth

Live performance on March 22, 2023 at the Vanderbilt Blair School of Music.

Yuhwa

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Mimi Stillman

2020

Yuhwa

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Hailstork Adolphus

Adolphus Hailstork (1941) is an American composer, noted for a "dualistic" style that synthesizes rigorous European classical structures with the rich melodic and rhythmic traditions of African American music.
Raised in Albany, New York, his earliest musical experiences were as a chorister at the Episcopal Cathedral of All Saints. This liturgical upbringing instilled in him a lifelong affinity for vocal and choral writing, as well as a deep understanding of Western harmonic tradition. He attended Howard University, studying under Mark Fax, a pivotal figure in African American classical music.
In 1963, he traveled to France to study with the legendary Nadia Boulanger at the American Conservatory at Fontainebleau, an experience that refined his "French" sense of clarity and orchestration.
He earned a Bachelor of Music from Manhattan School of Music and eventually a Ph.D. in Composition from Michigan State University (1971), where he studied with H. Owen Reed.
Hailstork has spent much of his career in Virginia, serving as Professor and Composer-in-Residence at Norfolk State University and later Old Dominion University.
His style is frequently described in musicological journals as "Eclectic-Nationalist." He famously refuses to be pigeonholed, stating that his "ears have always been open" to everything from the polyphony of Bach to the "shouts" of the Black church.