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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Handel George Frideric

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Arrival of the Queen of Sheba

By Handel George Frideric

G.F. Handel: Arrival of the Queen of Sheba for flute and piano was written in 1748, originally scored for two solo oboes and strings as the Sinfonia that opens Act III of the oratorio Solomon (HWV 67). The full oratorio was published by John Walsh in 1749. The transcription for "German Flute" (traverso) and keyboard appeared almost immediately in various "Handel's Favorite Airs" collections to meet the massive amateur demand in London.
In 1748, Handel was at the height of his "National Composer" status. Following the British victory at the Battle of Culloden (1746), there was a surge in patriotic sentiment. Solomon was written as a tribute to the "Golden Age" of a wise monarch (a thinly veiled compliment to King George II). The Arrival of the Queen of Sheba serves as a musical depiction of pomp, ceremony, and international diplomacy, characterizing the prosperity of the British Empire at the time.
In 1748, Handel was 63 years old. While his eyesight was beginning to fail (he would undergo surgery for cataracts just a few years later), his compositional speed remained legendary. He composed the entirety of Solomon in just five weeks (between May and June 1748), immediately following the completion of another oratorio, Alexander Balus.

James Galway

Charles Gerhardt (conductor), National Philharmonic Orchestra, 1978, Sony Music Entertainment / RCA Red Seal

Arrival of the Queen of Sheba

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Ion Bogdan Stefanescu

Clementina Ristea Ciucu (piano), 2021

Arrival of the Queen of Sheba

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Handel George Frideric

George Frideric Handel (1685-1759) was a German-born British composer who is known for his oratorios (Messiah), operas, instrumental compositions as well as occasional works (Water Music; Music for the Royal Fireworks).
Born in Halle (Germany) in the family of barber (at that time barbers were surgeons as well), young Frideric started music studies with composer F.W.Zachow. After short organist career at the Cathedral of Halle, Hendel moved to Hamburg, playing violin and harpsichord in the opera orchestra. Then he traveled Italy for 5 years, while composing numerous works (two operas, cantatas and oratorios) and meeting with Corelli, and Scarlatti.
In 1710, after a great success of his opera Agrippina in Venice, Handel accepted Kapellmeister position to the elector of Hanover, the future King George I of England. After opera’s Rinaldo triumphal success in London, he composed several operas and occasional works gaining popularity and prosperity to the point where he reconsidered his return to Germany.
In 1718 he was a appointed Director of Music to the duke of Chandos. In 1727 Handel became a British subject that let him to become a composer to the Chapel Royal, composing Coronation Anthems for George II as well as other now famous occasional compositions. Since opera in general and Italian opera in particular saw considerable decline in popularity in Great Britain (mostly by tremendous success of "Beggar’s Opera" by John Gay that mocked traditional opera) by 1730s, Handel mostly dedicated his time and efforts to compose oratorios. His oratorio "Messiah", premiered in 1742, made a profound impression, thus connecting Handel to new audience who saw higher moral ground in this music as opposed to entertaining music of traditional Italian style opera. Even though Handel is one of the leading composers of the late Baroque, in England he is considered as a classic composer, and indispensable part of national culture of Great Britain.