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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Handel George Frideric

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Sonata for flute in C Major (Op 1, No 7, HWV 365)

By Handel George Frideric

George Frideric Handel: Sonata for flute in C Major (Op 1, No 7, HWV 365) was written around 1711 - 1712. While there is no official dedication, evidence suggests Handel used this sonata as a teaching tool for Princess Anne (daughter of King George II) between 1725 and 1726. The fair copy manuscript features unusually detailed figured bass, likely meant to help her practice harpsichord accompaniment.
The sonata consists of five movements:
1. Larghetto
2. Allegro
3. Larghetto
4. A tempo di gavotti
5. Allegro
Like many of Handel's works, this sonata reuses material from other compositions. The second movement appears in the overture to his 1726 opera Scipione, while the third movement is a revised version of a movement from his Oboe Sonata in F Major.
Though the autograph and early reliable editions specify "flauto" (recorder), the 1732 Walsh publication listed it for "German Flute" (transverse flute) to boost commercial appeal to the growing number of amateur flutists in London.
It was first published around 1726 by John Walsh under a forged "Jeanne Roger" imprint, followed by an official Walsh edition in 1732 as part of the influential Opus 1 collection.

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

1. Larghetto

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Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

2. Allegro

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Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

3. Larghetto

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Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

4. A tempo di gavotti

00:00
YouTube icon

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

5. Allegro

00:00
YouTube icon

Handel George Frideric

George Frideric Handel (1685-1759) was a German-born British composer who is known for his oratorios (Messiah), operas, instrumental compositions as well as occasional works (Water Music; Music for the Royal Fireworks).
Born in Halle (Germany) in the family of barber (at that time barbers were surgeons as well), young Frideric started music studies with composer F.W.Zachow. After short organist career at the Cathedral of Halle, Hendel moved to Hamburg, playing violin and harpsichord in the opera orchestra. Then he traveled Italy for 5 years, while composing numerous works (two operas, cantatas and oratorios) and meeting with Corelli, and Scarlatti.
In 1710, after a great success of his opera Agrippina in Venice, Handel accepted Kapellmeister position to the elector of Hanover, the future King George I of England. After opera’s Rinaldo triumphal success in London, he composed several operas and occasional works gaining popularity and prosperity to the point where he reconsidered his return to Germany.
In 1718 he was a appointed Director of Music to the duke of Chandos. In 1727 Handel became a British subject that let him to become a composer to the Chapel Royal, composing Coronation Anthems for George II as well as other now famous occasional compositions. Since opera in general and Italian opera in particular saw considerable decline in popularity in Great Britain (mostly by tremendous success of "Beggar’s Opera" by John Gay that mocked traditional opera) by 1730s, Handel mostly dedicated his time and efforts to compose oratorios. His oratorio "Messiah", premiered in 1742, made a profound impression, thus connecting Handel to new audience who saw higher moral ground in this music as opposed to entertaining music of traditional Italian style opera. Even though Handel is one of the leading composers of the late Baroque, in England he is considered as a classic composer, and indispensable part of national culture of Great Britain.