This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Handel George Frideric

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Sonata for flute in G Major (Op 1, No 5, HWV 363b)

By Handel George Frideric

George Frideric Handel: Sonata for flute in G Major (Op 1, No 5, HWV 363b) was written around 1711 - 1716. It was originally composed by Handel as the Oboe Sonata in F Major (HWV 363a). The work was transposed from F major to G major for the transverse flute by an unknown hand at a later date.
The sonata consists of five movements:
1. Adagio
2. Allegro
3. Adagio
4. Bourrée
5. Menuetto
The opening Adagio movement is derived from an aria in Handel's 1711 opera Rinaldo.

It was first published in 1732 by John Walsh in London as part of a collection titled Solos for a German Flute, Hoboy, or Violin. It is commonly referred to as Opus 1, No. 5.
After a successful initial visit in 1710, Handel received a second leave of absence from his post as Kapellmeister in Hanover and returned to London in 1712, ultimately deciding to settle there permanently.
He quickly gained favor at the British court, receiving an annual pension of £200 from Queen Anne after composing the Utrecht Te Deum and Jubilate to celebrate the Treaty of Utrecht in 1713.

Peter-Lucas Graf

Jörg Ewald Dähler (cembalo), Manfred Sax (bassoon), 1987. Claves Records

1. Adagio; 2. Allegro; 3. Adagio; 4. Bourrée; 5. Menuetto

00:00
YouTube icon

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

1. Adagio

00:00
YouTube icon

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

2. Allegro

00:00
YouTube icon

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

3. Adagio

00:00
YouTube icon

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

4. Bourrée

00:00
YouTube icon

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

5. Menuetto

00:00
YouTube icon

Handel George Frideric

George Frideric Handel (1685-1759) was a German-born British composer who is known for his oratorios (Messiah), operas, instrumental compositions as well as occasional works (Water Music; Music for the Royal Fireworks).
Born in Halle (Germany) in the family of barber (at that time barbers were surgeons as well), young Frideric started music studies with composer F.W.Zachow. After short organist career at the Cathedral of Halle, Hendel moved to Hamburg, playing violin and harpsichord in the opera orchestra. Then he traveled Italy for 5 years, while composing numerous works (two operas, cantatas and oratorios) and meeting with Corelli, and Scarlatti.
In 1710, after a great success of his opera Agrippina in Venice, Handel accepted Kapellmeister position to the elector of Hanover, the future King George I of England. After opera’s Rinaldo triumphal success in London, he composed several operas and occasional works gaining popularity and prosperity to the point where he reconsidered his return to Germany.
In 1718 he was a appointed Director of Music to the duke of Chandos. In 1727 Handel became a British subject that let him to become a composer to the Chapel Royal, composing Coronation Anthems for George II as well as other now famous occasional compositions. Since opera in general and Italian opera in particular saw considerable decline in popularity in Great Britain (mostly by tremendous success of "Beggar’s Opera" by John Gay that mocked traditional opera) by 1730s, Handel mostly dedicated his time and efforts to compose oratorios. His oratorio "Messiah", premiered in 1742, made a profound impression, thus connecting Handel to new audience who saw higher moral ground in this music as opposed to entertaining music of traditional Italian style opera. Even though Handel is one of the leading composers of the late Baroque, in England he is considered as a classic composer, and indispensable part of national culture of Great Britain.