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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Handel George Frideric

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Sonata for flute in G minor, Op. 1, No 2, (HWV 360)

By Handel George Frideric

George Frideric Handel: Flute Sonata in G Minor, Op. 1 No. 2, HWV 360 was written circa 1712 - 1716. The sonata was published posthumously around 1732 in Amsterdam by Jeanne Roger and then more famously in 1734 by John Walsh in London as part of Handel's "Opus 1" collection (Solos for a German Flute, Hoboy, or Violin).

The Op. 1 collection is a mix of authentic Handel works and arrangements by others, which has led to some scholarly questioning of HWV 360, but it is generally accepted as authentic Handel.
While often performed on the modern flute, historical context suggests it might have been intended for the recorder or oboe due to the G minor key and range limitations that suit those instruments better than the standard transverse flute of that era.
The sonata embodies the Baroque trio sonata style, featuring a lyrical, expressive melody line of the solo instrument, supported by a figured bass accompaniment: usually harpsichord, and a cello or bassoon for reinforcement.

Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

1. Larghetto

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Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

2. Andante

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Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

3. Adagio

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Jean-Pierre Rampal

Robert Veyron-Lacroix (harpsichord), 1965, 2015 Warner Classics/Erato

4. Presto

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Handel George Frideric

George Frideric Handel (1685-1759) was a German-born British composer who is known for his oratorios (Messiah), operas, instrumental compositions as well as occasional works (Water Music; Music for the Royal Fireworks).
Born in Halle (Germany) in the family of barber (at that time barbers were surgeons as well), young Frideric started music studies with composer F.W.Zachow. After short organist career at the Cathedral of Halle, Hendel moved to Hamburg, playing violin and harpsichord in the opera orchestra. Then he traveled Italy for 5 years, while composing numerous works (two operas, cantatas and oratorios) and meeting with Corelli, and Scarlatti.
In 1710, after a great success of his opera Agrippina in Venice, Handel accepted Kapellmeister position to the elector of Hanover, the future King George I of England. After opera’s Rinaldo triumphal success in London, he composed several operas and occasional works gaining popularity and prosperity to the point where he reconsidered his return to Germany.
In 1718 he was a appointed Director of Music to the duke of Chandos. In 1727 Handel became a British subject that let him to become a composer to the Chapel Royal, composing Coronation Anthems for George II as well as other now famous occasional compositions. Since opera in general and Italian opera in particular saw considerable decline in popularity in Great Britain (mostly by tremendous success of "Beggar’s Opera" by John Gay that mocked traditional opera) by 1730s, Handel mostly dedicated his time and efforts to compose oratorios. His oratorio "Messiah", premiered in 1742, made a profound impression, thus connecting Handel to new audience who saw higher moral ground in this music as opposed to entertaining music of traditional Italian style opera. Even though Handel is one of the leading composers of the late Baroque, in England he is considered as a classic composer, and indispensable part of national culture of Great Britain.