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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Harberg Amanda

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Court Dances" for flute and piano

By Harberg Amanda

Amanda Harberg: "Court Dances" for flute and piano was written in 2017. The suite is dedicated to flutist Cobus du Toit. It was commissioned by a consortium of 57 flutists from around the world, a project spearheaded by du Toit.
The world premiere took place on August 13, 2017, at the National Flute Association (NFA) Convention in Minneapolis, Minnesota. It was performed by Cobus du Toit (flute) and Amanda Harberg (piano).
The suite is a three-movement work:
1. Courante: Initially inspired by the syncopated bounce of a squash ball, it grew into a lively triple-meter movement typical of its Baroque namesake.
2. Air de Cour: A lyrical and flowing introspective movement featuring sweeping legato phrases.
3. Tambourin: A dynamic finale that references both the Provençal dance and French drums through percussive effects and syncopation.
Shortly after its premiere, the piece won the NFA Newly Published Music Competition.

Cobus Du Toit (flute), Amanda Harberg (piano), live performance, 2017

Court Dances

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Harberg Amanda

Amanda Harberg (1973) is a prominent American composer and pianist whose music is celebrated for its emotional depth, rhythmic vitality, and seamless integration of traditional forms with a modern sensibility.
Born in New Jersey, Harberg began her musical journey as a pianist. She displayed an early affinity for both performance and creation, often finding that her compositional voice was deeply tied to her physical connection with the piano.
Her upbringing was marked by a love for the "American sound" and the lyrical traditions of the 20th century.
She earned her Bachelor and Master of Music degrees from The Juilliard School, where she was a student of the legendary Milton Babbitt and Robert Beaser. She later pursued a PhD from the Rutgers University Mason Gross School of the Arts.
Her education included a formative year in Salzburg, Austria, as a Fulbright Scholar, where she studied with Stefan Hunt and refined her understanding of European classical structures.
Harberg’s music is noted for its ability to communicate directly with audiences. While her works are technically demanding and structurally sophisticated, they prioritize melody, lyricism, and rhythmic drive. She has written for a vast array of genres, including solo piano, chamber music, choral works, and large-scale orchestral concertos.
Her contributions to the flute repertoire are significant. Works such as her Flute Sonata (2011), Prayer (2011), and Feathers and Fur (2018) are considered essential modern classics. During the global pandemic, her work Prayer became a symbol of resilience, culminating in a virtual flute orchestra performance featuring nearly 100 world-class flutists and conductor JoAnn Falletta.