21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Harberg Amanda
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Court Dances" for flute and piano
Amanda Harberg: "Court Dances" for flute and piano was written in 2017. The suite is dedicated to flutist Cobus du Toit. It was commissioned by a consortium of 57 flutists from around the world, a project spearheaded by du Toit.
The world premiere took place on August 13, 2017, at the National Flute Association (NFA) Convention in Minneapolis, Minnesota. It was performed by Cobus du Toit (flute) and Amanda Harberg (piano).
The suite is a three-movement work:
1. Courante: Initially inspired by the syncopated bounce of a squash ball, it grew into a lively triple-meter movement typical of its Baroque namesake.
2. Air de Cour: A lyrical and flowing introspective movement featuring sweeping legato phrases.
3. Tambourin: A dynamic finale that references both the Provençal dance and French drums through percussive effects and syncopation.
Shortly after its premiere, the piece won the NFA Newly Published Music Competition.
Amanda Harberg (1973) is a prominent American composer and pianist whose music is celebrated for its emotional depth, rhythmic vitality, and seamless integration of traditional forms with a modern sensibility.
Born in New Jersey, Harberg began her musical journey as a pianist. She displayed an early affinity for both performance and creation, often finding that her compositional voice was deeply tied to her physical connection with the piano.
Her upbringing was marked by a love for the "American sound" and the lyrical traditions of the 20th century.
She earned her Bachelor and Master of Music degrees from The Juilliard School, where she was a student of the legendary Milton Babbitt and Robert Beaser. She later pursued a PhD from the Rutgers University Mason Gross School of the Arts.
Her education included a formative year in Salzburg, Austria, as a Fulbright Scholar, where she studied with Stefan Hunt and refined her understanding of European classical structures.
Harberg’s music is noted for its ability to communicate directly with audiences. While her works are technically demanding and structurally sophisticated, they prioritize melody, lyricism, and rhythmic drive. She has written for a vast array of genres, including solo piano, chamber music, choral works, and large-scale orchestral concertos.
Her contributions to the flute repertoire are significant. Works such as her Flute Sonata (2011), Prayer (2011), and Feathers and Fur (2018) are considered essential modern classics. During the global pandemic, her work Prayer became a symbol of resilience, culminating in a virtual flute orchestra performance featuring nearly 100 world-class flutists and conductor JoAnn Falletta.