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Harberg Amanda

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

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Boulanger, Marie-Juliette

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Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

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Büsser, Henri

Camus, Pierre

Carmichael, John

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Harberg, Amanda

Harbison, John

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Zgraja, Krystof

"Poem and Transformations" for flute and piano

By Harberg Amanda

Amanda Harberg: "Poem and Transformations" for flute and piano was written in 2000 and is dedicated to Susan Glaser, who also made the world premiere studio recording of the piece for the Koch International label. The work was commissioned by flutist Susan Glaser, and described as "darkly lyrical and mysteriously sensual". It features melodic, "singing" passages interspersed with technically demanding, virtuosic nocturnal sections intended for advanced performers.
In 2000, Harberg was in the early stages of her professional career, having recently completed her formal studies at The Juilliard School. During this year, she was already establishing her signature "communicative" style, which prioritizes lyricism and emotional depth over the abstract atonality common in the late 20th century.
She was influenced by her studies with major figures such as Robert Beaser and David Diamond, whose emphasis on craft and melody is evident in the structural clarity of this work.

Julietta Curenton (flute), Amanda Harberg (piano), May 12, 2013

Poem and Transformations

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Harberg Amanda

Amanda Harberg (1973) is a prominent American composer and pianist whose music is celebrated for its emotional depth, rhythmic vitality, and seamless integration of traditional forms with a modern sensibility.
Born in New Jersey, Harberg began her musical journey as a pianist. She displayed an early affinity for both performance and creation, often finding that her compositional voice was deeply tied to her physical connection with the piano.
Her upbringing was marked by a love for the "American sound" and the lyrical traditions of the 20th century.
She earned her Bachelor and Master of Music degrees from The Juilliard School, where she was a student of the legendary Milton Babbitt and Robert Beaser. She later pursued a PhD from the Rutgers University Mason Gross School of the Arts.
Her education included a formative year in Salzburg, Austria, as a Fulbright Scholar, where she studied with Stefan Hunt and refined her understanding of European classical structures.
Harberg’s music is noted for its ability to communicate directly with audiences. While her works are technically demanding and structurally sophisticated, they prioritize melody, lyricism, and rhythmic drive. She has written for a vast array of genres, including solo piano, chamber music, choral works, and large-scale orchestral concertos.
Her contributions to the flute repertoire are significant. Works such as her Flute Sonata (2011), Prayer (2011), and Feathers and Fur (2018) are considered essential modern classics. During the global pandemic, her work Prayer became a symbol of resilience, culminating in a virtual flute orchestra performance featuring nearly 100 world-class flutists and conductor JoAnn Falletta.