Piccolo
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Harberg Amanda
Adler, Samuel
Andersen, Joachim
Auric, Georges
Baksa, Andreas
Beaser, Robert
Benshoof, Ken
Boisson, Felix
Bonnisseau, Frédéric
Chamberlain, Nicole
Damase, Jean-Michel
Daugherty, Michael
Dehnhard, Tilmann
Donatoni, Franco
Dorff, Daniel
Harberg, Amanda
Huylebroeck, Jan
Jacob, Gordon
Janáček, Leoš
Koechlin, Charles
Krek, Uroš
Lavista, Mario
Liebermann, Lowell
Loeb, David
Mălăncioiu, Gabriel
Martinů, Bohuslav
Meltzer, Harold
Morlacchi, Pietro
Mower, Mike
Musgrave, Thea
Papandopulo, Boris
Persichetti, Vincent
Poulenc, Francis
Reichert, Matthieu Andre
Rotaru, Doina
Schocker, Gary
Silva, Pattápio
Smith, Matt
Vivaldi, Antonio
Wilder, Alec
Yun, Isang
Sonata for piccolo and piano
Amanda Harberg: Sonata for piccolo and piano was written in 2018 and dedicated to Jeffrey Yost. It was commissioned by a consortium of 24 distinguished piccoloists, a project spearheaded by Regina Helcher Yost, second flutist and piccoloist of the Charleston Symphony Orchestra.
The sonata was premiered by Regina Helcher Yost (piccolo) and Amanda Harberg (piano) in August 2018 at the National Flute Association (NFA) Convention in Orlando, Florida.
In 2018, Harberg was focused on expanding the repertoire for "underscored" instruments. She consciously avoided the piccolo's stereotypical high, piercing register, instead exploring its "hidden loveliness" in the middle and lower voices. Her work on this sonata and its subsequent expansion led the Chicago Symphony Orchestra to describe her as "something of a hero to the flute and piccolo community".
In 2019, Harberg befriended Erica Peel, piccoloist of the Philadelphia Orchestra, who commissioned her to expand and orchestrate the sonata into a full-blown Piccolo Concerto. This concerto premiered in 2021 with the Philadelphia Orchestra under conductor Yannick Nézet-Séguin.
Amanda Harberg (1973) is a prominent American composer and pianist whose music is celebrated for its emotional depth, rhythmic vitality, and seamless integration of traditional forms with a modern sensibility.
Born in New Jersey, Harberg began her musical journey as a pianist. She displayed an early affinity for both performance and creation, often finding that her compositional voice was deeply tied to her physical connection with the piano.
Her upbringing was marked by a love for the "American sound" and the lyrical traditions of the 20th century.
She earned her Bachelor and Master of Music degrees from The Juilliard School, where she was a student of the legendary Milton Babbitt and Robert Beaser. She later pursued a PhD from the Rutgers University Mason Gross School of the Arts.
Her education included a formative year in Salzburg, Austria, as a Fulbright Scholar, where she studied with Stefan Hunt and refined her understanding of European classical structures.
Harberg’s music is noted for its ability to communicate directly with audiences. While her works are technically demanding and structurally sophisticated, they prioritize melody, lyricism, and rhythmic drive. She has written for a vast array of genres, including solo piano, chamber music, choral works, and large-scale orchestral concertos.
Her contributions to the flute repertoire are significant. Works such as her Flute Sonata (2011), Prayer (2011), and Feathers and Fur (2018) are considered essential modern classics. During the global pandemic, her work Prayer became a symbol of resilience, culminating in a virtual flute orchestra performance featuring nearly 100 world-class flutists and conductor JoAnn Falletta.