20th century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Harsányi Tibor
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
Baker, Michael Conway
Baksa, Robert
Barber, Samuel
Barrere, Georges
Bartók, Béla Viktor János
Baton, René-Emmanuel
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Bennet, Richard Rodney
Berg, Gunnar
Berio, Luciano
Bernofsky, Lauren
Bernstein, Leonard
Bloch, Ernest
Bolling, Claude
Bon, Maarten
Bonis, Mel
Boughton, Rutland
Boulanger, Marie-Juliette
Boulez, Pierre
Bourdin, Roger
Bournonville, Armand
Bowen, Edwin York
Bozza, Eugène Joseph
Bréville, Pierre
Brings, Allen
Brotons, Salvador
Brown, Elizabeth
Brun, Georges
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Burton, Eldin
Büsser, Henri
Camus, Pierre
Carmichael, John
Carter, Elliott
Casella, Alfredo
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Clarke, Ian
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DeLaney, Charles Oliver
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Dèsbriere, Jacques
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Dinicu, Grigoraș
Dodgson, Stephen
Dohnányi, Ernő
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Durey, Louis
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Ferroud, Pierre-Octave
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Françaix, Jean
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Genzmer, Harald
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Grier, Lita
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Guarnieri, Mozart Camargo
Gubajdulina, Sofia
Hahn, Reynaldo
Hailstork, Adolphus
Halphen, Fernand
Hanson, Howard Harold
Harberg, Amanda
Harbison, John
Harsányi, Tibor
Harty, Hamilton
Heiss, John
Heith, David
Henze, Hans-Werner
Higdon, Jennifer
Hindemith, Paul
Holliger, Heinz
Holmboe, Vagn
Honegger, Arthur
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Hüe, Georges Adolphe
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Ives, Charles
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Jongen, Joseph
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Kay, Ulysses
Kelterborn, Rudolf
Ķeniņš, Tālivaldis
Kennan, Kent Wheeler
Kennedy, Martin
Kernis, Aaron Jay
Khachaturian, Aram
Kocsár, Miklós
Kodaly, Zoltan
Koechlin, Charles
Kornauth, Egon
Kraft, Leo
Krzywicki, Jan
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La Montaine, John
Lauber, Joseph
Lavista, Mario
Lee, Eugene
Leeuwen, Ary van
Levinson, Gerald
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Mahler, Gustav
Maresz, Yan
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Martinů, Bohuslav
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Roussel, Albert
Rutter, John
Saariaho, Kaija
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Schmidt, Ole
Schocker, Gary
Schulhoff, Erwin
Schwantner, Joseph
Sciarrino, Salvatore
Shostakovich, Dmitri
Sibelius, Jean
Smit, Leo
Tailleferre, Germaine
Takemitsu, Tōru
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Tansman, Alexandre
Tomasi, Henri
Tower, Joan
Uébayashi, Yuko
Varèse, Edgar
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Weigl, Vally
Weinberg, Mieczysław
Wilder, Alec
Williams, Ralph Vaughan
Yi, Chen
Yun, Isang
Zgraja, Krystof
Trois Pieces pour Piano et Flute
Tibor Harsányi: Trois Pieces pour Piano et Flute was written in 1924 right after he settled in Paris and is his only composition for flute. It was published and premiered only in 1930. The suite consists of three movements: Lento – Scherzo – Lento. The first movement has A Hungarian flavour, especially in its iambic rhythm. Scherzo is a rash, virtuosic intermezzo and the second Lento has overall oriental color.
Tibor Harsányi (1898 – 1954) was a Hungarian-born composer and pianist who became a leading figure of the École de Paris (School of Paris), a group of immigrant composers who integrated their national identities into the French neoclassical style.
Born in Magyarkanizsa, Hungary (now Kanjiža, Serbia), Harsányi was a musical prodigy who began piano studies at a young age. He received his formal education at the Budapest Academy of Music, where he was a pupil of Zoltán Kodály. Kodály's emphasis on Hungarian folk idioms and structural clarity remained a permanent influence on his compositional logic. Following his graduation, Harsányi spent several years as a touring pianist throughout Europe and the Netherlands before finally settling in Paris in 1923. This period of transit allowed him to absorb the diverse jazz and "urban" sounds that would later distinguish his work. In Paris, Harsányi formed a close-knit group known as the "Triton" society and the École de Paris, which included Bohuslav Martinů, Alexander Tansman, and Marcel Mihalovici. Together, they sought to create music that was "modern but melodic."
Harsányi was particularly noted for his "cosmopolitan" style. He was one of the first Hungarian composers to successfully blend Hungarian rhythmic vitality (asymmetric meters) with the jazz inflections popular in 1920s Paris.
Harsányi’s music is characterized by its intellectual wit, rhythmic precision, and transparent orchestration. His works for wind instruments, such as his Trois Pièces for flute and piano (1924), are considered staple examples of the French-Hungarian synthesis in 20th-century woodwind literature.
He is mostly known for his piano compositions.