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20th century

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Solo repertoire

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Alto flute

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Harsányi Tibor

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

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Trois Pieces pour Piano et Flute

Trois Pieces pour Piano et Flute

By Harsányi Tibor

Tibor Harsányi: Trois Pieces pour Piano et Flute was written in 1924 right after he settled in Paris and is his only composition for flute. It was published and premiered only in 1930. The suite consists of three movements: Lento – Scherzo – Lento. The first movement has A Hungarian flavour, especially in its iambic rhythm. Scherzo is a rash, virtuosic intermezzo and the second Lento has overall oriental color.

Birgit Ramsl

Gottlieb Wallisch (piano), 2022, Naxos

1. Lento 2. Scherzo 3. Lento

00:00
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Harsányi Tibor

Tibor Harsányi (1898 – 1954) was a Hungarian-born composer and pianist who became a leading figure of the École de Paris (School of Paris), a group of immigrant composers who integrated their national identities into the French neoclassical style.
Born in Magyarkanizsa, Hungary (now Kanjiža, Serbia), Harsányi was a musical prodigy who began piano studies at a young age. He received his formal education at the Budapest Academy of Music, where he was a pupil of Zoltán Kodály. Kodály's emphasis on Hungarian folk idioms and structural clarity remained a permanent influence on his compositional logic. Following his graduation, Harsányi spent several years as a touring pianist throughout Europe and the Netherlands before finally settling in Paris in 1923. This period of transit allowed him to absorb the diverse jazz and "urban" sounds that would later distinguish his work. In Paris, Harsányi formed a close-knit group known as the "Triton" society and the École de Paris, which included Bohuslav Martinů, Alexander Tansman, and Marcel Mihalovici. Together, they sought to create music that was "modern but melodic."
Harsányi was particularly noted for his "cosmopolitan" style. He was one of the first Hungarian composers to successfully blend Hungarian rhythmic vitality (asymmetric meters) with the jazz inflections popular in 1920s Paris.
Harsányi’s music is characterized by its intellectual wit, rhythmic precision, and transparent orchestration. His works for wind instruments, such as his Trois Pièces for flute and piano (1924), are considered staple examples of the French-Hungarian synthesis in 20th-century woodwind literature.
He is mostly known for his piano compositions.