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Hüe Georges Adolphe
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
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Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
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Massenet, Jules
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Tulou, Jean-Louis
Vitali, Tomaso Antonio
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Widor, Charles Marie Jean Albert
Fantasy for flute and piano
Georges Adolphe Hüe: Fantasy for flute and piano was written in 1913 for the Paris Conservatoire competition and was dedicated to Adolphe Hennebains, the principal flautist of the Paris Opéra and the professor of the flute class at the Paris Conservatoire at the time. The Fantasy was orchestrated ten years later, in 1923.
Around 1913, Georges Adolphe Hüe was an established composer with a notable career. Even though his musical style was greatly influenced by his teachers, Charles Gounod and César Franck, Hüe's music was admired by several famous contemporary colleagues, including Claude Debussy and Gabriel Fauré.
1913 was one of the most explosive years in music history, marked by the premiere of Stravinsky's Le Sacre du printemps in Paris. While the avant-garde was shifting toward modernism, Hüe used 1913 to perfect a "refined Impressionism." His Fantaisie captures the "perfumed" and atmospheric qualities popularized by Debussy, but maintains the formal clarity required for an academic examination. This piece solidified his reputation as a composer who could write virtuosic showpieces that were also "serious" works of art.
Naoko Ishibashi (piano), 2016, live performance at JT Art Hall in Tokyo.
Fantasie
Georges Adolphe Hüe (1858-1948) was a French composer whose music met limited success, most likely because his style didn't evolve over time. The Fantasy remains as one of the most popular works of the composer.
Born in Versailles in the family of renowned architects, he studied music with Charles Gounod and César Franck. After winning the Prix de Rome in 1879 for the cantata Médée, he wrote his first stage work, Les Pantins ("The Jumping Jacks"), which was highly appraised as well. Further artistic explorations led to works with more contradicting ideas (e.g., socialism and Catholicism) while preserving the same musical style, which didn’t change over the years. Even though his works didn’t appeal to many, he had several admirers, including Claude Debussy and Gabriel Fauré. The Fantasy for Flute and Piano remains one of the most popular works.
Hüe’s music is characterized by its elegance, clarity, and refined orchestration. While he was a "conservative" in the sense that he remained rooted in tonality, his music possesses a "shimmering" quality often compared to Jules Massenet or Gabriel Fauré.