20th century
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20th century
21st century
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Honegger Arthur
Aitken, Robert
Amirov, Fikret
Amlin, Martin
Amram, David
Andriessen, Jurriaan
Arnold, Malcolm
Arrieu, Claude
Auric, Georges
Babbit, Milton
Bacchus, Peter
Bacri, Nicolas
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Romance for flute and piano
Romance for flute and piano
Arthur Honegger: Romance for flute and piano was written in 1953 and is considered one of Honegger’s very last completed works.
The Romance is dedicated to the flutist Elaine Shaffer, a pioneering American flutist and a student of William Kincaid, known as the first woman to establish an international career as a solo flutist. Honegger admired her lyrical, expressive tone, which is perfectly suited to the long, weaving melodic lines of this particular piece.
The year 1953 was a period of physical decline and retrospective reflection for Honegger. Following a severe heart attack in 1947 while on tour in America, Honegger’s health remained extremely fragile. By 1953, he was largely confined to his apartment in Paris. This physical limitation led to a "distillation" of his musical language, moving away from the "Stoker" (industrial/mechanical) energy of Pacific 231 toward a quieter, more intimate idiom.
Honegger had become increasingly pessimistic about the state of the world and modern music (as detailed in his book I Am a Composer). The Romance can be seen as a retreat into the "pure" beauty of the Classical tradition: a brief moment of tonal comfort amidst a changing avant-garde landscape.
In 1953, Honegger was finishing his Une Cantate de Noël. The Romance shares the same atmosphere of gentle nostalgia found in his final large-scale works.
Maurice Heugen (flute), Marianne Boer (piano), 1997, Etcetera
Romance
Honegger Arthur
Arthur Honegger (1892-1955) was a prolific Swiss-French composer and a prominent member of Les Six.
Born in Le Havre, France, to Swiss parents, Honegger maintained his Swiss citizenship throughout his life. His father was a coffee merchant, providing a stable, middle-class upbringing.
His education was split between the French and German schools, a duality that defined his style. He began studies at the Zurich Conservatory, where he was immersed in the works of Richard Strauss and Reger.
In 1911, he entered the Paris Conservatoire, studying under André Gédalge (counterpoint) and Charles-Marie Widor (composition). Here, he met future members of Les Six, including Darius Milhaud and Georges Auric. Les Six was the group of five French (D. Milhaud, F. Poulenc, G. Auric, L. Durey, G. Tailleferre) and one Swiss (A. Honegger) composers who lived and worked in Montparnasse in the early 1920s, and whose musical style is seen as a reaction against the impressionist music of C. Debussy and M. Ravel. Though associated with the group, Honegger was often the "odd man out" because he lacked the lighthearted, circus-inspired wit of Poulenc or Milhaud. He famously stated, "I am not a devotee of the fairground."
Most of his life he spent in Paris and is equally known for his eccentric lifestyle (living in different apartments with his wife), obsession with trains (thus his most performed orchestral work "Pacific 231", inspired by the sound of a steam locomotive), as well as numerous distinguished compositions: opera Antigone (1927), 5 symphonies, ballets, oratorios, his last composition "Christmas Cantata" (1953) etc.