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Honegger Arthur
Aitken, Robert
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Vocalise-étude, H. 70 for flute and piano
Vocalise-étude, H. 70 for flute and piano
Arthur Honegger: Vocalise-étude, H. 70 was written in 1929, originally as a pedagogical exercise for the high voice, is considered as a fascinating example of a "cross-over" work.
The piece was commissioned by A.L. Hettich, a professor at the Paris Conservatoire, for his famous multi-volume collection titled Solfège vocal. The premiere took place in 1930 at the Paris Conservatoire as part of the vocal examinations.
Like many vocalise-études of the era (including those by Ravel and Fauré), it was immediately adopted by flutists because it perfectly mirrors the "breath" and "vocal" quality of the French Flute School.
The year 1929 was a period of professional "equilibrium" and transition for Honegger. By 1929, the collective known as Les Six had largely drifted apart. Honegger was solidifying his reputation as the "serious" member of the group, balancing his love for J.S. Bach with modern, urban energy.
In the same year, Honegger premiered his symphonic movement Rugby. While Rugby represented his interest in physical athleticism and machines, the Vocalise-étude represented his "inner" lyrical side. At the same time, Honegger was becoming increasingly involved in film music (such as his work for Napoleon), which influenced his ability to write concise, evocative melodies like H. 70.
Honegger Arthur
Arthur Honegger (1892-1955) was a prolific Swiss-French composer and a prominent member of Les Six.
Born in Le Havre, France, to Swiss parents, Honegger maintained his Swiss citizenship throughout his life. His father was a coffee merchant, providing a stable, middle-class upbringing.
His education was split between the French and German schools, a duality that defined his style. He began studies at the Zurich Conservatory, where he was immersed in the works of Richard Strauss and Reger.
In 1911, he entered the Paris Conservatoire, studying under André Gédalge (counterpoint) and Charles-Marie Widor (composition). Here, he met future members of Les Six, including Darius Milhaud and Georges Auric. Les Six was the group of five French (D. Milhaud, F. Poulenc, G. Auric, L. Durey, G. Tailleferre) and one Swiss (A. Honegger) composers who lived and worked in Montparnasse in the early 1920s, and whose musical style is seen as a reaction against the impressionist music of C. Debussy and M. Ravel. Though associated with the group, Honegger was often the "odd man out" because he lacked the lighthearted, circus-inspired wit of Poulenc or Milhaud. He famously stated, "I am not a devotee of the fairground."
Most of his life he spent in Paris and is equally known for his eccentric lifestyle (living in different apartments with his wife), obsession with trains (thus his most performed orchestral work "Pacific 231", inspired by the sound of a steam locomotive), as well as numerous distinguished compositions: opera Antigone (1927), 5 symphonies, ballets, oratorios, his last composition "Christmas Cantata" (1953) etc.