21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Hoover Katherine
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Spirit Flight" for flute solo, Op.75
Katherine Hoover: "Spirit Flight" for flute solo, Op.75 was written in 2012. The work was commissioned by Wendela van Swol, a distinguished flutist based in Cordoba, Spain, who premiered it on December 8, 2013, at the Maranathakerk in The Hague, Netherlands.
The piece was initially untitled until played for two friends. One of them described vivid images of varied landscapes as if flying, which inspired the final title. The composition continues her "Spirit" series but with a "soaring" quality that uses the full dynamic and tonal range of the flute to mimic the sensation of flight.
During 2012, Hoover was focusing on "international" connections and a more atmospheric late style, and the premiere in the Netherlands reflects Hoover's growing global reach late in her career. While she remained physically active in the New York music scene (her apartment in New York had become a "pilgrimage site" for doctoral students and young flutists), her life that year was defined by legacy-building and a shift toward shorter, more intimate forms of expression. 2012 was the year Hoover decided to revisit the "unaccompanied flute" genre that had made her famous in the early 1990s.
Additionally, she spent much of this year coaching performers and refining the performance guides for her older works, ensuring her specific "wooden flute" interpretations were documented for history.
Katherine Hoover (1937–2018) was a prominent American composer, flutist, and educator known for her lyrical, evocative musical style that often incorporated elements of nature, mythology, and Native American culture.
Born in Elmira, New York, Hoover began playing the piano early and later picked up the flute. She pursued her musical studies at the Eastman School of Music, earning bachelor's degrees in both theory and flute performance. She later studied theory and composition at the Manhattan School of Music. Her primary flute teachers included Joseph Mariano and William Kincaid.
Hoover was a versatile musician who maintained a dual career as a successful composer and a highly sought-after flutist. She performed as principal flutist with the Opera Orchestra of New York for many years and was a founding member of the New York Flute Club.
Hoover was a dedicated educator, serving on the faculties of the Manhattan School of Music, the Juilliard School, and Teachers College at Columbia University.
She also founded her own publishing company, Papagena Press, to ensure her music was accessible. Katherine Hoover left a lasting legacy as a distinctive compositional voice in American music, particularly renowned for her significant contributions to the flute repertoire.