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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Hoover Katherine

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Spirit Flight" for flute solo, Op.75

By Hoover Katherine

Katherine Hoover: "Spirit Flight" for flute solo, Op.75 was written in 2012. The work was commissioned by Wendela van Swol, a distinguished flutist based in Cordoba, Spain, who premiered it on December 8, 2013, at the Maranathakerk in The Hague, Netherlands.
The piece was initially untitled until played for two friends. One of them described vivid images of varied landscapes as if flying, which inspired the final title. The composition continues her "Spirit" series but with a "soaring" quality that uses the full dynamic and tonal range of the flute to mimic the sensation of flight.
During 2012, Hoover was focusing on "international" connections and a more atmospheric late style, and the premiere in the Netherlands reflects Hoover's growing global reach late in her career. While she remained physically active in the New York music scene (her apartment in New York had become a "pilgrimage site" for doctoral students and young flutists), her life that year was defined by legacy-building and a shift toward shorter, more intimate forms of expression. 2012 was the year Hoover decided to revisit the "unaccompanied flute" genre that had made her famous in the early 1990s.
Additionally, she spent much of this year coaching performers and refining the performance guides for her older works, ensuring her specific "wooden flute" interpretations were documented for history.

Wendela van Swol (flute), live performance (world premiere) at Maranathakerk, The Hague, The Netherlands, December 8, 2013

Spirit Flight

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Hoover Katherine

Katherine Hoover (1937–2018) was a prominent American composer, flutist, and educator known for her lyrical, evocative musical style that often incorporated elements of nature, mythology, and Native American culture.
Born in Elmira, New York, Hoover began playing the piano early and later picked up the flute. She pursued her musical studies at the Eastman School of Music, earning bachelor's degrees in both theory and flute performance. She later studied theory and composition at the Manhattan School of Music. Her primary flute teachers included Joseph Mariano and William Kincaid.
Hoover was a versatile musician who maintained a dual career as a successful composer and a highly sought-after flutist. She performed as principal flutist with the Opera Orchestra of New York for many years and was a founding member of the New York Flute Club.
Hoover was a dedicated educator, serving on the faculties of the Manhattan School of Music, the Juilliard School, and Teachers College at Columbia University.
She also founded her own publishing company, Papagena Press, to ensure her music was accessible. Katherine Hoover left a lasting legacy as a distinctive compositional voice in American music, particularly renowned for her significant contributions to the flute repertoire.