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20th century

Baroque

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20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Hoover Katherine

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

Copland, Aaron

Corigliano, John

Cortese, Luigi

Currier, Sebastian

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

Davidovsky, Mario

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Del Tredici, David

DeLaney, Charles Oliver

Delerue, Georges

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Dèsbriere, Jacques

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Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

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Durey, Louis

Dutilleux, Henri

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Ferroud, Pierre-Octave

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Folio, Cynthia

Foote, Arthur

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Françaix, Jean

Fukushima, Kazuo

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Gál, Hans

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Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

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Guarnieri, Mozart Camargo

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Hanson, Howard Harold

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Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

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Holmboe, Vagn

Honegger, Arthur

Hoover, Katherine

Hosokawa, Toshio

Hovhaness, Alan

Hüe, Georges Adolphe

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Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

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Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Winter Spirits for solo flute Op. 36

By Hoover Katherine

Katherine Hoover: Winter Spirits for solo flute Op. 36 was written in 1997, a highly evocative and programmatic piece, drawing inspiration from Native American culture, a recurring theme in much of her work (e.g., Kokopeli).
The primary inspiration for the piece came from a specific artwork. Hoover was inspired by a print created by the Native American artist Marie Buchfink. The print depicted a cross-legged Native American flute player. From the player's flute, a "colorful cloud of tiny beneficent spirits" rose into the air.
The artwork resonated deeply with Hoover's belief that "such spirits are an accepted and valued part of life in most of the world, and the flute has been used to honor and invite their presence for countless ages".

The music is a tribute to the American Desert Southwest and incorporates elements designed to evoke a mystical and magical soundscape. It utilizes elements of Native American chant and drumming, blending traditional sounds with Hoover's own "romantic, often pictorial atonal style".

Katherine Hoover

2014, Parnassus

Winter Spirits

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Stephanie Rea

2005, Centaur Records / Naxos

Winter Spirits

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Laurel Zucker

1998, Cantilena Records / CDBaby

Winter Spirits

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Hoover Katherine

Katherine Hoover (1937–2018) was a prominent American composer, flutist, and educator known for her lyrical, evocative musical style that often incorporated elements of nature, mythology, and Native American culture.
Born in Elmira, New York, Hoover began playing the piano early and later picked up the flute. She pursued her musical studies at the Eastman School of Music, earning bachelor's degrees in both theory and flute performance. She later studied theory and composition at the Manhattan School of Music. Her primary flute teachers included Joseph Mariano and William Kincaid.
Hoover was a versatile musician who maintained a dual career as a successful composer and a highly sought-after flutist. She performed as principal flutist with the Opera Orchestra of New York for many years and was a founding member of the New York Flute Club.
Hoover was a dedicated educator, serving on the faculties of the Manhattan School of Music, the Juilliard School, and Teachers College at Columbia University.
She also founded her own publishing company, Papagena Press, to ensure her music was accessible. Katherine Hoover left a lasting legacy as a distinctive compositional voice in American music, particularly renowned for her significant contributions to the flute repertoire.