Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Hotteterre Jacques-Martin
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Suite in D Major No. 1, Op. 2
Jacques-Martin Hotteterre: Suite in D Major No. 1, Op. 2 for flute and piano was written in 1708 and published the same year in Paris by Christophe Ballard. It is the opening work of his Premier livre de pièces pour la flûte-traversière et autres instruments avec la basse, published as Opus 2. Though commonly performed with piano today, it was originally written for transverse flute and basso continuo (typically harpsichord and viola da gamba or cello).
The whole collection is dedicated to the King of France (Louis XIV).
Hotteterre, known as "Le Romain," was a member of a famous family of wind instrument makers and performers. Following his 1707 treatise on flute playing (the first of its kind), this 1708 collection was his first published book of chamber music.
Hotteterre held positions in the "Grands Hautbois" and the "King’s Chamber", where he likely premiered these works for the French court and elite Parisian circles.
Hotteterre and Michel de la Barre were both part of a "transitional" generation that revolutionized the flute, and they both were Ordinaires de la Musique du Roi, often playing alongside other Baroque masters of that time like François Couperin, Marin Marais, and Antoine Forqueray.
While Michel de la Barre was primarily recognized as the first great soloist and composer for the instrument, Hotteterre was renowned for his pedagogical and technical influence. He authored the world's first flute manual (1707) and belonged to a famous family of instrument makers who physically perfected the flute.
Gregor Hollmann (harpsichord), 2019, ambitus / Kontor New Media GmbH
1. Prélude
Gregor Hollmann (harpsichord), 2019, ambitus / Kontor New Media GmbH
2. Allemande "La Royalle"
Gregor Hollmann (harpsichord), 2019, ambitus / Kontor New Media GmbH
3. Rondeau "Le Duc d'Orleans"
Gregor Hollmann (harpsichord), 2019, ambitus / Kontor New Media GmbH
4. Sarabande "La d'Armagnac"
Gregor Hollmann (harpsichord), 2019, ambitus / Kontor New Media GmbH
5. Gavotte "La Meudon"
Gregor Hollmann (harpsichord), 2019, ambitus / Kontor New Media GmbH
6. Menuet "Le Comte de Brione"; 2E Menuet
Gregor Hollmann (harpsichord), 2019, ambitus / Kontor New Media GmbH
7. Gigue "La Folichon"
Jacques-Martin Hotteterre (1674–1763), often nicknamed "Le Romain" due to an early period he spent in Rome, was the most illustrious member of a famous French dynasty of wind instrument makers and musicians, and a central figure in the development of the transverse flute during the Baroque era. Hotteterre is remembered as the architect of the French Flute School.
The Hotteterre family is credited with redesigning the Renaissance flute into the three-piece one-keyed Baroque flute, which offered better intonation and a more consistent tone.
He held several prestigious titles at the French court, including Ordinaire de la musique de la chambre du Roi and a position in the Grande Écurie (Great Stable) as a performer on the oboe and musette.
In 1707, he published Principes de la flûte traversière, the first instructional manual specifically for the transverse flute. It remains a primary source for historical performance practice today, detailing articulation, ornamentation, and tonguing. His most significant musical works are his two books of suites for flute and basso continuo (Op. 2, 1708; and Op. 5, 1715).