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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Igudesman Aleksey

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Magic spells" for solo flute

"Magic spells" for solo flute

By Igudesman Aleksey

Aleksey Igudesman: "Magic spells" for solo flute was written in 2016. It is a suite of ten individual "spells," each focusing on a specific musical character or extended technique. Titles include "The Power of the Wand", "Hocus Pocus", and "Abracadabra". Igudesman, famous for his comedic duo "Igudesman & Joo," intended these pieces to be theatrical. Each "spell" comes with a poem written by the composer to be recited before or during the performance to enhance the magical atmosphere.
The piece is dedicated to Jasmine Choi, one of the world's most celebrated flute virtuosos.
Although Igudesman is a violinist, 2016 was a year where he aggressively expanded his catalog for other instruments. He aimed to bring "fun and theater" back into solo wind literature, which he felt had become too "dry" or overly academic."Magic spells" falls into the category of the "performance art" style. This piece is about the performer's stage presence. He was influenced by his world tours with Hyung-ki Joo, where they blended high-level classical playing with sketch comedy.
During this year, he was collaborating with stars like Joshua Bell and Yuja Wang. Writing for Jasmine Choi was a natural extension of his desire to work with "rock star" classical musicians who could handle the technical demands while embracing the humor.

Aleksandr Haskin

2020

1. Abracadabra 2. Open sesame! 3. Sim Salabim 4. Hocus Pocus 5. Aji Maji Ia Taraji 6. Schem HaMephorash 7. Xyzzy, Plugh and Plover 8. Izzy wizzy, let's get busy! 9. Alakazam 10. Please!

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Igudesman Aleksey

Aleksey Igudesman (1973) is a Soviet-born Jewish violinist, composer, and conductor who has redefined the boundaries of classical music through a blend of virtuosity and theatrical comedy. While widely known for the duo "Igudesman & Joo," he is an increasingly cited figure in contemporary pedagogical studies for his "creative musicianship" approach.
Born in Leningrad (now St. Petersburg), Igudesman was raised in a highly musical environment. His father was a violinist and his mother a pianist, providing an early, rigorous immersion in the Russian school of string playing.
At age 12, his family emigrated to the West, and he was accepted into the prestigious Yehudi Menuhin School in England. It was here that he met his lifelong collaborator, pianist Hyung-ki Joo.
Igudesman’s career is defined by a reaction against the "stiffness" of traditional concert culture. His works often require performers to speak, act, or use slapstick humor. His compositional style is eclectic, he frequently blends Balkan folk rhythms, klezmer, jazz, and pop into a classical framework.
Beyond comedy, he is a serious collaborator for icons like Hans Zimmer, contributing to major film scores (e.g., Sherlock Holmes), and has written commissions for the New York Philharmonic and Joshua Bell.