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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Ittzés Gergely

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Totem for flute solo

By Ittzés Gergely

Gergely Ittzés: Totem for flute solo was written in 2012 by commission of the National Flute Association, as a competition piece for its Young Artist Competition in Las Vegas. The piece is dedicated to the memory of István Matuz, Ittzés’s former teacher and a legendary figure in the Hungarian flute school known for his pioneering work in circular breathing and multiphonics.

In 2012, Gergely Ittzés was finalizing the concepts for his major pedagogical project, Flute Force, which is a comprehensive system for modern flute technique. Totem was composed as a "concert-ready" application of these advanced theories, specifically focusing on dynamic multiphonics.
At this time, Ittzés was a professor at the Győr Conservatory and a frequent guest lecturer in the United States. 2012 was a year of intense "internationalization" for him, as he sought to bridge the gap between the specialized Hungarian avant-garde techniques and the global flute community.

Gergely Ittzés

2012

Totem

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Ittzés Gergely

Gergely Ittzés (1969) is an internationally recognized Hungarian flautist, composer, and pedagogue.
Born in Győr, Hungary, Ittzés was raised in a family of prominent musicians. His father, Mihály Ittzés, was a renowned musicologist and the long-time deputy director of the Kodály Institute, which provided Gergely with a deep grounding in the Kodály method and Hungarian music history.
His most significant early training came from István Matuz, the legendary pioneer of the "Hungarian Flute School." Under Matuz, Ittzés mastered circular breathing, multiphonics, and microtonality, which became the bedrock of his creative voice. He graduated from the Franz Liszt Academy of Music in Budapest and later pursued advanced studies at the Prague Conservatory and the Banff Centre for the Arts in Canada. He earned his Doctor of Liberal Arts (DLA) from the Liszt Academy, focusing his research on multiphonic systems.
Ittzés is a founding member of the TeTraVERSI Flute Quartet and has performed as a soloist with major European orchestras. He is the creator of Flute Force, a multi-volume pedagogical system and software designed to help flautists navigate contemporary fingerings and acoustics. This work is a primary source for doctoral research into modern flute acoustics. Ittzés served as a professor at the University of Győr for many years before joining the faculty of the Tianjin Juilliard School in China.
His original works, such as Totem (2012) and Mr. Dick is Dreaming, are characterized by polyphonic solo writing, where a single flute produces multiple independent lines.