21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Ittzés Gergely
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Totem for flute solo
Gergely Ittzés: Totem for flute solo was written in 2012 by commission of the National Flute Association, as a competition piece for its Young Artist Competition in Las Vegas. The piece is dedicated to the memory of István Matuz, Ittzés’s former teacher and a legendary figure in the Hungarian flute school known for his pioneering work in circular breathing and multiphonics.
In 2012, Gergely Ittzés was finalizing the concepts for his major pedagogical project, Flute Force, which is a comprehensive system for modern flute technique. Totem was composed as a "concert-ready" application of these advanced theories, specifically focusing on dynamic multiphonics.
At this time, Ittzés was a professor at the Győr Conservatory and a frequent guest lecturer in the United States. 2012 was a year of intense "internationalization" for him, as he sought to bridge the gap between the specialized Hungarian avant-garde techniques and the global flute community.
Gergely Ittzés (1969) is an internationally recognized Hungarian flautist, composer, and pedagogue.
Born in Győr, Hungary, Ittzés was raised in a family of prominent musicians. His father, Mihály Ittzés, was a renowned musicologist and the long-time deputy director of the Kodály Institute, which provided Gergely with a deep grounding in the Kodály method and Hungarian music history.
His most significant early training came from István Matuz, the legendary pioneer of the "Hungarian Flute School." Under Matuz, Ittzés mastered circular breathing, multiphonics, and microtonality, which became the bedrock of his creative voice. He graduated from the Franz Liszt Academy of Music in Budapest and later pursued advanced studies at the Prague Conservatory and the Banff Centre for the Arts in Canada. He earned his Doctor of Liberal Arts (DLA) from the Liszt Academy, focusing his research on multiphonic systems.
Ittzés is a founding member of the TeTraVERSI Flute Quartet and has performed as a soloist with major European orchestras. He is the creator of Flute Force, a multi-volume pedagogical system and software designed to help flautists navigate contemporary fingerings and acoustics. This work is a primary source for doctoral research into modern flute acoustics. Ittzés served as a professor at the University of Győr for many years before joining the faculty of the Tianjin Juilliard School in China.
His original works, such as Totem (2012) and Mr. Dick is Dreaming, are characterized by polyphonic solo writing, where a single flute produces multiple independent lines.