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Romantic

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Kohler Ernesto

Akimenko, Theodore

Albeniz, Isaac

Andersen, Joachim

Barnett, John Francis

Bazzini, Antonio

Beach, Amy

Bellini, Vincenzo

Bizet, George

Blahetka, Leopoldine

Blodek, Wilhelm

Boehm, Theobald

Bonis, Mel

Borne, François

Brahms, Johannes

Briccialdi, Giulio

Bruch, Max

Caplet, André

Chaminade, Cécile

Chopin, Frédéric

Danzi, Franz Ignaz

Debussy, Claude

Demersseman, Jules-Auguste Edouard

Donizetti, Gaetano

Donjon, Johannes

Doppler, Albert Franz

Du Puy, Édouard

Dvořák, Antonin

Elgar, Edward

Fauré, Gabriel

Foote, Arthur

Franck, César

Frühling, Carl

Fürstenau, Anton Bernhard

Gade, Niels Wilhelm

Ganne, Louis

Génin, Paul Agricole

German, Edward

Glière, Reinhold

Godard, Benjamin

Gounod, Charles

Grandval, Clémence

Hahn, Reynaldo

Hüe, Georges Adolphe

Hummel, Johann Nepomuk

Jadassohn, Solomon

Kohler, Ernesto

Kreisler, Fritz

Kuhlau, Friedrich

Lefebvre, Charles Edouard

Liszt, Franz

Maier, Amanda

Massenet, Jules

Mendelssohn, Fanny

Mendelssohn, Felix

Mercadante, Saverio

Meyer-Olbersleben, Max

Molique, Wilhelm Bernhard

Morlacchi, Pietro

Mouquet, Jules

Nielsen, Carl

Paganini, Niccolo

Périlhou, Albert

Pierné, Gabriel

Popp, Wilhelm

Rabboni, Giuseppe

Reger, Max

Reichert, Matthieu Andre

Reinecke, Carl Heinrich Carsten

Ries, Ferdinand

Rietz, Julius

Rossini, Gioacchino

Saint-Saëns, Camille

Sarasate, Pablo de

Schubert, Franz

Schumann, Clara

Schumann, Robert

Sibelius, Jean

Silcher, Friedrich

Strauss, Richard

Taffanel, Claude Paul

Tulou, Jean-Louis

Vitali, Tomaso Antonio

Wagner, Siegfried

Widor, Charles Marie Jean Albert

Hirten-Idylle, Op. 58

By Kohler Ernesto

Ernesto Kohler: "Hirten-Idylle" (Shepherd's Idyl), Op. 58 was written around 1892. The work is dedicated to Johannes Snitwjer, a flutist and contemporary of Köhler.
By 1892, Köhler had firmly established himself as the premier flutist in Saint Petersburg. This was a monumental year for the Imperial Theatres. The same year, P. Tchaikovsky's "The Nutcracker" premiered in December 1892. As a member of the Imperial Orchestra, Köhler was immersed in the lush, late-Romantic Russian orchestral style, which heavily influenced the melodic lyricism of his solo works.
Besides, Köhler was a favorite of the Romanov court. His position provided him with the stability to focus on expanding the flute's repertoire. During these years, he was systematically filling the gap for "characteristic" pieces that combined technical brilliance with the "Idylle" (pastoral) aesthetic popular in European salons.

Denis Lupachev (flute), Natalia Frolova (piano), 2020, Anton Yakovlev / Believe SAS

Shepherd's Idyl

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Kohler Ernesto

Ernesto Kohler (1849–1907) was an Italian-born flutist and composer who became one of the most influential figures in the development of the Russian flute school.
Born in Modena, Italy, he was the son of Venceslao Joseph Köhler, a well-known flutist of Austrian origin who served as the first flutist in the Duke of Modena's orchestra. Under his guidance, Ernesto became a child prodigy; by the age of 10, he was already touring Italy with his brother Ferdinando (a pianist).
In 1869, at just 20 years old, he secured a position as the first flutist at the Karltheatre in Vienna, marking his transition from an Italian prodigy to an international professional.
In 1871, upon the recommendation of Cesare Ciardi, Köhler moved to St. Petersburg to join the orchestra of the Imperial Russian Opera (Bolshoi Theatre). He eventually became the principal flutist of the Imperial Ballet and Opera, a position he held for over 35 years until his death in 1907. While performing, he authored over 100 works for the flute. His Flöten-Schule (Flute School) and numerous etude books became the foundational curriculum for the St. Petersburg Conservatory.
Musicologists describe his style as a fusion of Italian melodic lyricism and Germanic formal structure. His works often mirror the dramatic arc of a 19th-century opera aria. Unlike many of his contemporaries who moved toward the French "silver flute" style (Taffanel), Köhler remained a champion of the wooden flute (Meyer system), which influenced the dark, rich tonal preference of the early Russian flute school.