Romantic
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Romantic
20th century
21st century
Solo repertoire
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Kohler Ernesto
Akimenko, Theodore
Albeniz, Isaac
Andersen, Joachim
Barnett, John Francis
Bazzini, Antonio
Beach, Amy
Bellini, Vincenzo
Bizet, George
Blahetka, Leopoldine
Blodek, Wilhelm
Boehm, Theobald
Bonis, Mel
Borne, François
Brahms, Johannes
Briccialdi, Giulio
Bruch, Max
Caplet, André
Chaminade, Cécile
Chopin, Frédéric
Danzi, Franz Ignaz
Debussy, Claude
Demersseman, Jules-Auguste Edouard
Donizetti, Gaetano
Donjon, Johannes
Doppler, Albert Franz
Du Puy, Édouard
Dvořák, Antonin
Elgar, Edward
Fauré, Gabriel
Foote, Arthur
Franck, César
Frühling, Carl
Fürstenau, Anton Bernhard
Gade, Niels Wilhelm
Ganne, Louis
Génin, Paul Agricole
German, Edward
Glière, Reinhold
Godard, Benjamin
Gounod, Charles
Grandval, Clémence
Hahn, Reynaldo
Hüe, Georges Adolphe
Hummel, Johann Nepomuk
Jadassohn, Solomon
Kohler, Ernesto
Kreisler, Fritz
Kuhlau, Friedrich
Lefebvre, Charles Edouard
Liszt, Franz
Maier, Amanda
Massenet, Jules
Mendelssohn, Fanny
Mendelssohn, Felix
Mercadante, Saverio
Meyer-Olbersleben, Max
Molique, Wilhelm Bernhard
Morlacchi, Pietro
Mouquet, Jules
Nielsen, Carl
Paganini, Niccolo
Périlhou, Albert
Pierné, Gabriel
Popp, Wilhelm
Rabboni, Giuseppe
Reger, Max
Reichert, Matthieu Andre
Reinecke, Carl Heinrich Carsten
Ries, Ferdinand
Rietz, Julius
Rossini, Gioacchino
Saint-Saëns, Camille
Sarasate, Pablo de
Schubert, Franz
Schumann, Clara
Schumann, Robert
Sibelius, Jean
Silcher, Friedrich
Strauss, Richard
Taffanel, Claude Paul
Tulou, Jean-Louis
Vitali, Tomaso Antonio
Wagner, Siegfried
Widor, Charles Marie Jean Albert
Hirten-Idylle, Op. 58
Ernesto Kohler: "Hirten-Idylle" (Shepherd's Idyl), Op. 58 was written around 1892. The work is dedicated to Johannes Snitwjer, a flutist and contemporary of Köhler.
By 1892, Köhler had firmly established himself as the premier flutist in Saint Petersburg. This was a monumental year for the Imperial Theatres. The same year, P. Tchaikovsky's "The Nutcracker" premiered in December 1892. As a member of the Imperial Orchestra, Köhler was immersed in the lush, late-Romantic Russian orchestral style, which heavily influenced the melodic lyricism of his solo works.
Besides, Köhler was a favorite of the Romanov court. His position provided him with the stability to focus on expanding the flute's repertoire. During these years, he was systematically filling the gap for "characteristic" pieces that combined technical brilliance with the "Idylle" (pastoral) aesthetic popular in European salons.
Ernesto Kohler (1849–1907) was an Italian-born flutist and composer who became one of the most influential figures in the development of the Russian flute school.
Born in Modena, Italy, he was the son of Venceslao Joseph Köhler, a well-known flutist of Austrian origin who served as the first flutist in the Duke of Modena's orchestra. Under his guidance, Ernesto became a child prodigy; by the age of 10, he was already touring Italy with his brother Ferdinando (a pianist).
In 1869, at just 20 years old, he secured a position as the first flutist at the Karltheatre in Vienna, marking his transition from an Italian prodigy to an international professional.
In 1871, upon the recommendation of Cesare Ciardi, Köhler moved to St. Petersburg to join the orchestra of the Imperial Russian Opera (Bolshoi Theatre). He eventually became the principal flutist of the Imperial Ballet and Opera, a position he held for over 35 years until his death in 1907. While performing, he authored over 100 works for the flute. His Flöten-Schule (Flute School) and numerous etude books became the foundational curriculum for the St. Petersburg Conservatory.
Musicologists describe his style as a fusion of Italian melodic lyricism and Germanic formal structure. His works often mirror the dramatic arc of a 19th-century opera aria. Unlike many of his contemporaries who moved toward the French "silver flute" style (Taffanel), Köhler remained a champion of the wooden flute (Meyer system), which influenced the dark, rich tonal preference of the early Russian flute school.