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Kornauth Egon

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

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Burleske for flute and piano Op. 11

Burleske for flute and piano Op. 11

By Kornauth Egon

Egon Kornauth: Burleske for Flute and Piano Op. 11 was written in 1914 and dedicated to Ary Van Leeuwen, solo flutist of the Vienna State Opera. It was premiered in 1914 in Vienna by Ary van Leeuwen and the composer at the piano.
The composition represents the composer’s eclectic and late Romantic compositional style. It is articulated around a three-note structure, descending or ascending within the two main themes. These descending chromatic chords in the piano part add an impressionistic flavour to this composition.
1914 was a year of profound upheaval. Kornauth, who had just completed his studies and was beginning to tour as a pianist and accompanist, saw the European musical landscape fractured by the start of the war. Despite the geopolitical chaos, this was a period of extreme creative fertility for him, during which he established himself as a "progressive traditionalist."
Vienna at that time was the center of a musical tug-of-war between the Second Viennese School (Schoenberg) and the Late Romantics (Schmidt, Korngold). Kornauth occupied a unique middle ground: while he remained committed to tonality, his Burleske reflects a modern, lean texture that avoided the heavy "perfume" of Strauss.
Kornauth’s professional life in 1914 was closely tied to the elite wind players of Vienna. Ary van Leeuwen was not only a virtuoso but also a pioneer in teaching and repertoire expansion. His collaboration with Kornauth helped define the "Viennese" flute sound: precise, rhythmic, and elegant.

Birgit Ramsl

Gottlieb Wallisch (piano), 2022, Naxos

Burleske

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Kornauth Egon

Egon Kornauht (1891-1959) was an Austrian composer, pianist, and teacher.
Born in Olomouc, Moravia, he studied music at the Wiener Akademie with Robert Fuchs and Franz Schreker, and at the University of Vienna with Guido Adler. After his studies, he taught music theory at Vienna University for 7 years before he went to Indonesia as a pianist, accompanist, and conductor in 1926. Three years later, he came back to Austria but then continued his travel and musical explorations in South America for two years. In 1940, he took a teaching position in Vienna and Salzburg. For two years, he led the Mozarteum University in Salzburg and, some years later, was elected to the Austrian Arts Senate. Kornauth is mostly known for his piano, vocal, and chamber music.
His musical style is described as "progressive traditionalism." He rejected the radical atonality of the Second Viennese School (Schoenberg), opting instead for a style characterized by chromatic lyricism and transparent textures.