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20th century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

La Montaine John

Aitken, Robert

Amirov, Fikret

Amlin, Martin

Amram, David

Andriessen, Jurriaan

Arnold, Malcolm

Arrieu, Claude

Auric, Georges

Babbit, Milton

Bacchus, Peter

Bacri, Nicolas

Baker, Michael Conway

Baksa, Robert

Barber, Samuel

Barrere, Georges

Bartók, Béla Viktor János

Baton, René-Emmanuel

Beaser, Robert

Bennet, Richard Rodney

Berg, Gunnar

Berio, Luciano

Bernofsky, Lauren

Bernstein, Leonard

Bloch, Ernest

Bolling, Claude

Bon, Maarten

Bonis, Mel

Boughton, Rutland

Boulanger, Marie-Juliette

Boulez, Pierre

Bourdin, Roger

Bournonville, Armand

Bowen, Edwin York

Bozza, Eugène Joseph

Bréville, Pierre

Brings, Allen

Brotons, Salvador

Brown, Elizabeth

Brun, Georges

Burkhard, Willy

Burton, Eldin

Büsser, Henri

Camus, Pierre

Carmichael, John

Carter, Elliott

Casella, Alfredo

Chaynes, Charles

Clarke, Ian

Colgrass, Michael

Colquhoun, Michael

Copland, Aaron

Corigliano, John

Cortese, Luigi

Currier, Sebastian

Dahl, Walter Ingolf Marcus

Damase, Jean-Michel

Davidovsky, Mario

De Lorenzo, Leonardo

Debussy, Claude

Del Tredici, David

DeLaney, Charles Oliver

Delerue, Georges

Denisov, Edison

Dèsbriere, Jacques

Dick, Robert

Dinicu, Grigoraș

Dodgson, Stephen

Dohnányi, Ernő

Dubois, Pierre Max

Dukas, Paul

Durey, Louis

Dutilleux, Henri

Enescu, George

Farkas, Ferenc

Feld, Jindřich

Ferroud, Pierre-Octave

Flothuis, Marius

Folio, Cynthia

Foote, Arthur

Foss, Lukas

Françaix, Jean

Fukushima, Kazuo

Gade, Jacob

Gál, Hans

Gaubert, Philippe

Genzmer, Harald

George, Thom Ritter

Ghidoni, Armando

Gieseking, Walter

Glass, Philip

Glière, Reinhold

Golovin, Andrei

Gordeli, Otar

Grier, Lita

Griffes, Charles Tomlinson

Grinblat, Romuald

Grovlez, Gabriel

Guarnieri, Mozart Camargo

Gubajdulina, Sofia

Hahn, Reynaldo

Hailstork, Adolphus

Halphen, Fernand

Hanson, Howard Harold

Harberg, Amanda

Harbison, John

Harsányi, Tibor

Harty, Hamilton

Heiss, John

Heith, David

Henze, Hans-Werner

Higdon, Jennifer

Hindemith, Paul

Holliger, Heinz

Holmboe, Vagn

Honegger, Arthur

Hoover, Katherine

Hosokawa, Toshio

Hovhaness, Alan

Hüe, Georges Adolphe

Hurel, Philippe

Ibert, Jacques

Ichiyanagi, Toshi

Ittzés, Gergely

Ives, Charles

Jacob, Gordon

James, Bob

Jemnitz, Sándor

Jirák, Karel Boleslav

Jóhannsson, Magnús Blöndal

Jolivet, André

Jongen, Joseph

Karg-Elert, Sigfrid

Kay, Ulysses

Kelterborn, Rudolf

Ķeniņš, Tālivaldis

Kennan, Kent Wheeler

Kennedy, Martin

Kernis, Aaron Jay

Khachaturian, Aram

Kocsár, Miklós

Kodaly, Zoltan

Koechlin, Charles

Kornauth, Egon

Kraft, Leo

Krzywicki, Jan

Kupferman, Meyer

La Montaine, John

Lauber, Joseph

Lavista, Mario

Lee, Eugene

Leeuwen, Ary van

Levinson, Gerald

Liebermann, Lowell

Loudova, Ivana

Mack, Dieter

Mahler, Gustav

Maresz, Yan

Martin, Frank

Martino, Donald

Martinů, Bohuslav

Meltzer, Harold

Messiaen, Olivier

Mihalovici, Marcel

Milhaud, Darius

Mouquet, Jules

Mower, Mike

Muczynski, Robert

Nielsen, Carl

Norby, Erik

Nordenstrom, Gladys

Offermans, Wil

Olsen, Carl Gustav Sparre

Paget, Daniel

Perle, George

Petrovics, Emil

Piazzolla, Astor

Piston, Walter

Poulenc, Francis

Prokofiev, Sergey

Rachmaninoff, Sergei

Ran, Shulamit

Raphael, Günter

Rautavaara, Einojuhani

Ravel, Maurice

Reynolds, Verne

Riegger, Wallingford

Rivier, Jean

Rodrigo, Joaquin

Rota, Nino

Rotaru, Doina

Rouse, Christopher

Roussel, Albert

Rutter, John

Saariaho, Kaija

Sancan, Pierre

Schmidt, Ole

Schocker, Gary

Schulhoff, Erwin

Schwantner, Joseph

Sciarrino, Salvatore

Shostakovich, Dmitri

Sibelius, Jean

Smit, Leo

Tailleferre, Germaine

Takemitsu, Tōru

Taktakishvili, Otar

Tansman, Alexandre

Tomasi, Henri

Tower, Joan

Uébayashi, Yuko

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Weinberg, Mieczysław

Wilder, Alec

Williams, Ralph Vaughan

Yi, Chen

Yun, Isang

Zgraja, Krystof

Sonata for flute Solo, Op. 24

By La Montaine John

John La Montaine: Sonata for flute Solo, Op. 24 was written in 1957 and dedicated to Paul Renzi, principal flute of the San Francisco Symphony Orchestra and his former colleague at the NBC Symphony orchestra, when La Montaine served as the orchestra's pianist under Toscanini. Paul Renzi gave the official premiere in 1958 in San Francisco.
In 1957, La Montaine was exploring twelve-tone (serial) techniques, but in a highly personal, "American" way. The Op. 24 Sonata uses a row not for rigid mathematical construction, but to create expressive, angular melodies that still retain a sense of tonal center.
During this year, La Montaine was living in New York City as a freelance composer and was deeply involved in the "New York School" of performance that led to winning the Pulitzer Prize for Music in 1959 for his Piano Concerto No. 1. The Solo Flute Sonata captures the composer at his peak creative strength, transitioning from a successful career as a concert pianist to a front-rank American composer.

Kristen Stoner

2013

1. Questioning, 2. Jaunty, 3. Introspective, 4. Rakish.

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La Montaine John

John La Montaine (1920-2013) was a Pulitzer Prize-winning American composer and pianist known for his melodic craftsmanship and his later pioneering use of nature sounds and birdcalls in classical structures.
Born in Oak Park, Illinois, La Montaine was a musical prodigy who began composing at age five. His upbringing was centered in the Chicago area, where he received his early training.
He studied composition with Howard Hanson and Bernard Rodgers at the Eastman School of Music (1938–1942), immersing himself in the "American Romantic" tradition, which prioritized lush orchestration and lyrical clarity. After serving in the U.S. Navy during World War II, he continued his education at the Juilliard School and the American Conservatory of Music. He sought further refinement in Europe, studying with the legendary Nadia Boulanger at Fontainebleau.
Before his fame as a composer, La Montaine served as the orchestral pianist for the NBC Symphony Orchestra under Arturo Toscanini (1950–1954). This experience provided him with a "view from the inside" of the world's most elite orchestral playing. He achieved national stardom in 1959 when his Piano Concerto No. 1 ("In Time of War"), won the Pulitzer Prize for Music.
In the 1960s and 70s, La Montaine moved away from the serialism and neoclassicism of his youth toward a "nature-centric" style. He founded his own publishing house, Fredonia Press, to maintain artistic control over his works, which increasingly incorporated recorded birdcalls and wilderness themes.