Classical
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Lebrun Ludwig August
Beethoven, Ludwig van
Cambini, Giovanni Giuseppe
Campagnoli, Bartolomeo
Devienne, François
Gluck, Christoph Willibald
Gossec, Francois-Joseph
Graf, Friedrich Hartmann
Grétry, André Ernest Modeste
Hartmann, Johan Peter
Haydn, Franz Joseph
Haydn, Johann Michael
Hoffmeister, Franz Anton
Hugot, Antoine
Hummel, Johann Nepomuk
Jadin, Louis-Emmanuel
Lebrun, Ludwig August
Mozart, Wolfgang Amadeus
Müller, August Eberhard
Nicolai, Johann Gottlieb
Piccinni, Niccolò
Pleyel, Ignace Joseph
Rault, Felix
Reicha, Josef
Romberg, Bernhard
Rosetti, Francesco Antonio
Schwindel, Friedrich
Stamitz, Anton
Stamitz, Carl Philipp
Wagenseil, Georg Christoph
Wendling, Johann Baptist
Wunderlich, Johann Georg
Concerto for flute and orchestra No. 5 in C Major
L.A. Lebrun: Concerto for flute and orchestra No. 5 in C Major was written in the late 1770s, originally as an oboe Concerto.
The Concerto was written while Lebrun was an esteemed oboist in the Mannheim court orchestra.
The D minor concerto, along with his other five oboe concertos, was written as a virtuoso showcase for Lebrun himself, who was one of the most famous oboists in Europe at the time. His playing was lauded for reaching the "maximum in perfection on the oboe," with "inimitable ornaments, inventions, and cadenzas".
The concerto is a quintessential example of the "Mannheim School" style, characterized by its "sighs and suspensions," abrupt general rests, dramatic dynamics (like the famous Mannheim crescendo), and brilliant, virtuosic passages.
Philippe Bernold (conductor), Orchestre de Chambre de Paris, 2018, Premiers Horizons
1. Grave. Allegro
Philippe Bernold (conductor), Orchestre de Chambre de Paris, 2018, Premiers Horizons
2. Grazioso
Philippe Bernold (conductor), Orchestre de Chambre de Paris, 2018, Premiers Horizons
3. Rondo. Allegro
Ludwig August Lebrun (1752–1790) was an acclaimed German oboist and composer, considered the leading oboe virtuoso of his era. He was a prominent figure in the renowned Mannheim School of composition and performance.
Lebrun was born in Mannheim and received oboe lessons from his father, who was also an oboist in the Mannheim court orchestra. He quickly displayed prodigious talent, joining the court orchestra as an apprentice at age twelve and becoming a full court musician at fifteen.
In 1778, Lebrun married the celebrated soprano Franziska Danzi, the sister of composer Franz Danzi. The couple formed a famous musical partnership, touring extensively throughout Europe to cities including Milan, Paris, London, Vienna, and Prague. Critics of the time praised their perfectly matched artistry, noting that when they performed arias together, one could barely distinguish where the voice ended and the oboe began. Composers like Salieri and Holzbauer wrote works featuring oboe obbligato specifically for the pair.
Lebrun was famous for expanding the technical and expressive possibilities of the oboe, known for his "sweet tone" and ability to reach higher notes than was customary at the time. He belonged to the second generation of the Mannheim School, and his compositions are characterized by the era's dramatic dynamic shifts.