Baroque
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Leclair Jean-Marie l'aîné
Albinoni, Tomaso Giovanni
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Bach, Wilhelm Friedmann
Barre, Michel de la
Benda, Franz
Blavet, Michel
Boccherini, Luigi
Boismortier, Joseph Bodin de
Čart, Jiří
Chédeville, Nicolas
Corelli, Arcangelo
Corrette, Michel
Couperin, François
Handel, George Frideric
Hotteterre, Jacques-Martin
Leclair, Jean-Marie l'aîné
Locatelli, Pietro Antonio
Loeillet (de Gant), Jean-Baptiste
Marais, Marin
Marc, Thomas
Marcello, Benedetto
Martini, Giovanni Battista
Müthel, Johann Gottfried
Pachelbel, Johann
Pergolesi, Giovanni Battista
Platti, Giovanni Benedetto
Quantz, Johann Joachim
Telemann, Georg Philipp
Tromlitz, Johann George
Vitali, Tomaso Antonio
Vivaldi, Antonio
Sonata for flute in E minor (Op 9, No 2)
J.M. Leclair the Elder: Flute Sonata in G Major (Op 9, No 2) is one of the 48 sonatas Leclair composed for violin or German flute (“Cette Sonate peut se jouer sur la Flûte Allemande”).
This sonata is part of Leclair's Op. 9 collection, which was published in 1743, during a time when the French Baroque style was characterized by its ornate and expressive qualities.
Leclair was a prominent violinist and composer, and his works are known for their elegance, technical demands, and expressive qualities. The interplay between the flute and continuo creates an engaging musical dialogue, showcasing Leclair's skill in writing for both instruments.
Naoko Ishibashi (piano), live recording at Kanazawa, 2015.
1. Dolce andante; 2. Allemanda: Allegro ma non troppo; 3. Sarabanda: Adagio; 4. Minuetto: Allegro non troppo
Jean-Marie Leclair l'aîné (the elder) (1697-1764) was a renowned French violinist and composer considered the founder of the French school of violin writing, inventing the left-hand tremolo, which later evolved into vibrato.
Born in Lyon, France, Jean-Marie was the eldest of eight children, many of whom went on to become professional musicians. His father was a master lacemaker and a cellist, ensuring an upbringing steeped in both craftsmanship and music. Leclair’s first professional career was as a dancer. In his youth, he excelled in both dance and lace-making. In 1716, he was hired as a dancer at the opera house in Lyon. While working as a ballet master in Turin, Italy, he began studying the violin under Giovanni Battista Somis, a pupil of Arcangelo Corelli. This Italian training was the pivotal moment that allowed him to eventually merge Italian virtuosity with his native French sensibilities.
In 1723, he arrived in Paris and quickly gained fame at the Concert Spirituel, his mastery of double-stops and high positions shocked and fascinated Parisian audiences. He served as a "Musicien du Roi" for Louis XV from 1733 to 1737. However, he famously resigned after a heated dispute with fellow violinist Jean-Pierre Guignon over who would lead the orchestra. He spent several years at the court of the Princess of Orange in the Netherlands and collaborated with the legendary violinist Pietro Locatelli, an experience that further pushed his technical boundaries.
Leclair took the "French" flute and violin style (noted for its elegance and notes inégales) and infused it with the "Italian" structural rigor and ornamentation. Although primarily a violinist, Leclair was a master of the transverse flute. His eight sonatas for flute and basso continuo (found within his Op. 1, 2, and 9 collections) and his Concerto in C Major, Op. 7, No. 3 remain essential masterpieces of the flute repertoire.
Leclair’s life ended in one of the most famous unsolved mysteries in music history. In 1764, he was found stabbed to death in his home in a dangerous neighborhood of Paris, and the crime was never solved.