21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
León Tania
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
"Alma" for flute and piano
Tania León: "Alma" for flute and piano was written in 2007. The piece was commissioned by the Bay Paul Foundation as part of the Flute Book for the Twenty-first Century, a project developed through Meet The Composer's "New Music, New Donors" initiative.
The world premiere was given by the flutist Marya Martin, for whom the work was specifically written as part of the "Eight Visions" anthology.
The work was inspired by the poem "Bailando con mi ángel" by Carmen A. Vega Schimmenti. León specifically drew from the line, "A flute plays a crescendo that starts transforming into joy". Meaning "soul" or "spirit" in Spanish, the title refers to invisible forces like the wind. The opening and closing sections mimic the sound of wind chimes, while the middle sections feature cascading pitches and playful "bouncing gestures".
Tania León (1943) is a Pulitzer Prize-winning Cuban-American composer, conductor, and educator. She is one of the most influential figures in contemporary music, renowned for a style that masterfully integrates Cuban folk rhythms, jazz, and Western avant-garde techniques.
Born in Havana, León is of mixed French, Spanish, Chinese, African, and Cuban heritage: a background she describes as a "cultural mosaic" that deeply informs her music.
In 1967, she left Cuba for New York City on a "Freedom Flight" with very few possessions, seeking to further her musical studies. She initially established herself as a virtuoso pianist before turning her focus to composition and conducting. Shortly after arriving in New York, she became a founding member and the first Music Director of the Dance Theatre of Harlem (1969) at the invitation of Arthur Mitchell.
León has broken significant barriers as a conductor, leading major orchestras worldwide, including the New York Philharmonic, the Los Angeles Philharmonic, and the Gewandhausorchester Leipzig.
She is a Distinguished Professor Emerita at Brooklyn College and the Graduate Center of the City University of New York (CUNY), where she taught for over 35 years.
León’s music is characterized by rhythmic complexity, vibrant orchestral colors, and a refusal to be categorized by a single genre. Among her most notable compositions: orchestra work "Stride" (2020) and the ballet and choral work "Inura"(2009).