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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

León Tania

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

"Alma" for flute and piano

"Alma" for flute and piano

By León Tania

Tania León: "Alma" for flute and piano was written in 2007. The piece was commissioned by the Bay Paul Foundation as part of the Flute Book for the Twenty-first Century, a project developed through Meet The Composer's "New Music, New Donors" initiative.
The world premiere was given by the flutist Marya Martin, for whom the work was specifically written as part of the "Eight Visions" anthology.
The work was inspired by the poem "Bailando con mi ángel" by Carmen A. Vega Schimmenti. León specifically drew from the line, "A flute plays a crescendo that starts transforming into joy". Meaning "soul" or "spirit" in Spanish, the title refers to invisible forces like the wind. The opening and closing sections mimic the sound of wind chimes, while the middle sections feature cascading pitches and playful "bouncing gestures".

Marya Martin

Colette Valentine (piano), 2009, Naxos

Alma

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León Tania

Tania León (1943) is a Pulitzer Prize-winning Cuban-American composer, conductor, and educator. She is one of the most influential figures in contemporary music, renowned for a style that masterfully integrates Cuban folk rhythms, jazz, and Western avant-garde techniques.
Born in Havana, León is of mixed French, Spanish, Chinese, African, and Cuban heritage: a background she describes as a "cultural mosaic" that deeply informs her music.
In 1967, she left Cuba for New York City on a "Freedom Flight" with very few possessions, seeking to further her musical studies. She initially established herself as a virtuoso pianist before turning her focus to composition and conducting. Shortly after arriving in New York, she became a founding member and the first Music Director of the Dance Theatre of Harlem (1969) at the invitation of Arthur Mitchell.
León has broken significant barriers as a conductor, leading major orchestras worldwide, including the New York Philharmonic, the Los Angeles Philharmonic, and the Gewandhausorchester Leipzig.
She is a Distinguished Professor Emerita at Brooklyn College and the Graduate Center of the City University of New York (CUNY), where she taught for over 35 years.
León’s music is characterized by rhythmic complexity, vibrant orchestral colors, and a refusal to be categorized by a single genre. Among her most notable compositions: orchestra work "Stride" (2020) and the ballet and choral work "Inura"(2009).