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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

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Liebermann Lowell

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Air for flute and organ, Op. 106

By Liebermann Lowell

Lowell Liebermann: Air for flute and organ, Op. 106 was written in 2008. The piece is most frequently performed in the composer's own version for flute and piano. The work is dedicated to Dionne Hansen, a flutist and dedicated supporter of the arts. It was premiered on September 21, 2008, at the First Presbyterian Church in Salt Lake City, Utah, by flutist Dionne Hansen and organist Jeffrey Price.
The piece is essentially a "Song Without Words." It requires a seamless legato and a wide variety of tonal colors. While strictly tonal, it utilizes Liebermann's signature "shimmering" harmonies, using unexpected modulations that give the music a timeless, almost "sacred" quality.
It is often described as "serene yet melancholic." The piano/organ part provides a steady, rhythmic pulse over which the flute floats in long, arched phrases.
In 2008, Liebermann was fascinated by the "Air" as a musical form, a simple, singing melody. Along with Op. 106, he also composed his Air for Cello and Piano, Op. 104. These works marked a shift away from the dense, virtuosic complexity of his 1990s concertos toward a "purer" melodicism.
During this period, Liebermann was deeply involved in academia as the head of the Composition Department at Mannes College The New School for Music in New York. His teaching and administrative duties often led him to write "shorter" gems like Op. 106 between larger commissions.

Elivi Varga (flute), Olle Långström (organ), 2011, Sterling Records / Orchard

Air

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Liebermann Lowell

Lowell Liebermann (1961) is an American composer, pianist, and conductor, one of America’s most frequently performed and recorded living composers.
Born in New York City, Liebermann was a musical prodigy who began piano lessons at age eight and composition at age nine. He famously premiered his own Piano Sonata, Op. 1 at Carnegie Hall when he was only sixteen years old.
Liebermann’s formal education was centered entirely at The Juilliard School, where he earned his Bachelor’s, Master’s, and Doctor of Musical Arts (DMA) degrees. He studied composition under David Diamond and Vincent Persichetti, and piano with Jacob Lateiner. Diamond’s influence was particularly significant, instilling in Liebermann a respect for rigorous craftsmanship and a rejection of the prevailing academic avant-garde trends of the 1970s.
Liebermann rose to prominence in the late 1980s by writing music that was unabashedly tonal and melodic. He has written over 130 works in all genres and is arguably the most influential composer for the flute since the mid-20th century.
His musical style is a combination of tonal, polytonal, and unconventional harmonies. Liebermann is a faculty member of Mannes School of Music in New York.