21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Liebermann Lowell
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Lowell Liebermann: Elegy for flute and piano, Op. 119 was written in 2012, originally for clarinet and piano. The piece is dedicated to Dr. Gustave Manasse, the late father of clarinetist Jon Manasse. Dr. Manasse
was a prominent figure in clinical psychology who focused on non-pharmacological therapies for the developmentally disabled.
As the title suggests, the work is "emotionally charged" and structured in three distinct emotional phases: Beginning starts in "plaintive reflection"; Middle passes through an extended section characterized by "increasing tension-and-resolve"; Ending concludes with a "wistful" reprise.
During the period Op. 119 was written, Liebermann was undergoing a significant transition in his academic and professional life. In 2012, he joined the faculty of the Mannes School of Music at The New School in New York City. Upon joining Mannes, he founded the Mannes American Composers Ensemble (MACE), a group dedicated to performing works by living American composers.
By this year, Liebermann was firmly established as a "dean of American neoromanticism," a style that blends functional harmony with polytonality and 12-tone rows used for formal structure. This "neoromantic" label is one the composer has noted critics use as an easy identifier, though he views tonality as an inescapable tool linked to the overtone series.
Lowell Liebermann (1961) is an American composer, pianist, and conductor, one of America’s most frequently performed and recorded living composers.
Born in New York City, Liebermann was a musical prodigy who began piano lessons at age eight and composition at age nine. He famously premiered his own Piano Sonata, Op. 1 at Carnegie Hall when he was only sixteen years old.
Liebermann’s formal education was centered entirely at The Juilliard School, where he earned his Bachelor’s, Master’s, and Doctor of Musical Arts (DMA) degrees. He studied composition under David Diamond and Vincent Persichetti, and piano with Jacob Lateiner. Diamond’s influence was particularly significant, instilling in Liebermann a respect for rigorous craftsmanship and a rejection of the prevailing academic avant-garde trends of the 1970s.
Liebermann rose to prominence in the late 1980s by writing music that was unabashedly tonal and melodic. He has written over 130 works in all genres and is arguably the most influential composer for the flute since the mid-20th century.
His musical style is a combination of tonal, polytonal, and unconventional harmonies. Liebermann is a faculty member of Mannes School of Music in New York.