This website is using cookies. By continuing to browse the site, you are agreeing to our use of cookies. Find out more.

21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Liebermann Lowell

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Elegy for flute and piano, Op. 119

By Liebermann Lowell

Lowell Liebermann: Elegy for flute and piano, Op. 119 was written in 2012, originally for clarinet and piano. The piece is dedicated to Dr. Gustave Manasse, the late father of clarinetist Jon Manasse. Dr. Manasse
was a prominent figure in clinical psychology who focused on non-pharmacological therapies for the developmentally disabled.
As the title suggests, the work is "emotionally charged" and structured in three distinct emotional phases: Beginning starts in "plaintive reflection"; Middle passes through an extended section characterized by "increasing tension-and-resolve"; Ending concludes with a "wistful" reprise.
During the period Op. 119 was written, Liebermann was undergoing a significant transition in his academic and professional life. In 2012, he joined the faculty of the Mannes School of Music at The New School in New York City. Upon joining Mannes, he founded the Mannes American Composers Ensemble (MACE), a group dedicated to performing works by living American composers.
By this year, Liebermann was firmly established as a "dean of American neoromanticism," a style that blends functional harmony with polytonality and 12-tone rows used for formal structure. This "neoromantic" label is one the composer has noted critics use as an easy identifier, though he views tonality as an inescapable tool linked to the overtone series.

Spencer Vandigriff (flute), Ming Yang (piano), November 12, 2021 performance at the University of Houston Moores School of Music.

Elegy

00:00
YouTube icon

Liebermann Lowell

Lowell Liebermann (1961) is an American composer, pianist, and conductor, one of America’s most frequently performed and recorded living composers.
Born in New York City, Liebermann was a musical prodigy who began piano lessons at age eight and composition at age nine. He famously premiered his own Piano Sonata, Op. 1 at Carnegie Hall when he was only sixteen years old.
Liebermann’s formal education was centered entirely at The Juilliard School, where he earned his Bachelor’s, Master’s, and Doctor of Musical Arts (DMA) degrees. He studied composition under David Diamond and Vincent Persichetti, and piano with Jacob Lateiner. Diamond’s influence was particularly significant, instilling in Liebermann a respect for rigorous craftsmanship and a rejection of the prevailing academic avant-garde trends of the 1970s.
Liebermann rose to prominence in the late 1980s by writing music that was unabashedly tonal and melodic. He has written over 130 works in all genres and is arguably the most influential composer for the flute since the mid-20th century.
His musical style is a combination of tonal, polytonal, and unconventional harmonies. Liebermann is a faculty member of Mannes School of Music in New York.