21st century
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Linthicum-Blackhorse William
Adler, Samuel
Albert, Adrienne
Amlin, Martin
Arnauts, Dimitri
Bacri, Nicolas
Baksa, Robert
Balter, Marcos
Beal, Jeff
Bilotta, John
Borisova-Ollas, Victoria
Bullard, Janice Maille
Bunch, Kenji
Carter, Elliott
Chamberlain, Nicole
Chyrzynski, Marcel
Clarke, Ian
Coleman, Valerie
Connesson, Guillaume
Costa Roldán, Eduardo
Cueto, Daniel
Dalbavie, Marc-André
Daugherty, Michael
Dehnhard, Tilmann
Desenne, Paul
Dorff, Daniel
Egger, Fabian Johannes
Eggert, Kenneth
Firšt, Nenad
Furrer, Beat
Garrop, Stacy
Ghidoni, Armando
Gibb, Charles
Hailstork, Adolphus
Harberg, Amanda
Hersh, Howard
Hoover, Katherine
Igudesman, Aleksey
Ittzés, Gergely
Kernis, Aaron Jay
Khoury, Houstaf
Kukal, Ondřej
León, Tania
Lias, Stephen
Liebermann, Lowell
Lindberg, Christian
Linthicum-Blackhorse, William
Louke, Phyllis Avidan
Magalif, Eugene
Mitchell, Jonathan
Monroe, Ervin
Mower, Mike
Mucha, Geraldine
Mulleman, Tim
Ornstein, Maarten
Pann, Carter
Panufnik, Roxanna
Pärt, Arvo
Pattillo, Greg
Penman, Katrina
Petrič, Ivo
Price, William
Pritsker, Gene
Pucihar, Blaž
Ran, Shulamit
Rea, Stephanie
Rotaru, Doina
Rozman, Anže
Schocker, Gary
Schwantner, Joseph
Sciarrino, Salvatore
Seif, Sami
Serebrier, José
Skipworth, Lachlan
Sollberger, Harvey
Somma, Victor
Uébayashi, Yuko
Vasks, Pēteris
Widmann, Jörg
Witt, Carl
Woolf, Randall
Yi, Chen
Mnicakmun: Sounds Of Water for flute and piano
William Linthicum-Blackhorse: Mnicakmun: Sounds Of Water for flute and piano was written in 2017, as part of the project for the composer's composition studio class at Texas Tech University.
The piece reflects the composer's identity as a Lakota Channúnpa Yuhá (pipe-carrier) and his commitment to traditional spirituality. He initially wrote the first movement without classical triadic harmony, later realizing the melodies were reminiscent of the Lakota Sioux native flute.
The work is described as a "beautiful representation of the different emotions a person experiences in life". It transitions from a strict, non-triadic harmonic structure in the first movement to a more fluid, rule-breaking style that mirrors the unpredictable nature of water and human feeling.
The title Mnicakmun (pronounced "mnee-chah-kmoon") is the Lakota word for the sound water makes when moving over a rocky surface. The movement titles are also in Lakota:
1. Mnicásniyanyanla (Rippling Water)
2. Mnicáluza (Rapid Water)
3. Mnióhuta (The Shore)
The work is dedicated to the composer's Lakota relatives.
At the time of the piece's initial development, Linthicum-Blackhorse was a graduate student at Texas Tech University, where he earned his Master's degree in 2016 and his Doctor of Musical Arts (DMA) in 2019.
"The title was a last-minute realization that I had written the piece with the Lakota Sioux native flute in mind, so I found it suiting to name the piece and its movements in the Lakota language. The word Mnicakmun is both the description and terminology for the sound that water makes when moving over a rocky surface."
William Linthicum-Blackhorse
Réne Lecuona (piano), January, 2025, recital at the University of Iowa School of Music
Mnicakmun (Sounds of Water)
William Linthicum-Blackhorse (1989) is an American composer, researcher, and musician whose work is deeply informed by his Latino, Anglo, and Lakota heritage. He began composing music independently at the age of 12. Despite his early musical interest, his initial academic path was in the sciences. He attended Baylor University in 2007, where he earned a degree in Aerospace Science. Following his undergraduate studies, he moved to Montana to work as a research physicist with the U.S. Forest Service before ultimately deciding to pursue a professional music career.
His formal musical training is characterized by a rapid ascent through graduate-level composition programs. He was accepted into the graduate composition program at Texas Tech University in 2014, completing his Master’s degree in 2016. He continued at Texas Tech, earning his doctorate in music composition in 2019. He has served as an Adjunct Professor of Western Music Theory and frequently performs as a guest artist for various ensembles.
A central pillar of Linthicum-Blackhorse’s life and work is his connection to Lakota spirituality. He studied traditional medicine and spirituality under prominent leaders, including Albert White Hat Sr.
In 2021, he launched MOSAIC, a platform designed to consolidate research on traditional spirituality and provide factual information to the public.