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21st century

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Linthicum-Blackhorse William

Adler, Samuel

Albert, Adrienne

Amlin, Martin

Arnauts, Dimitri

Bacri, Nicolas

Baksa, Robert

Balter, Marcos

Beal, Jeff

Bilotta, John

Borisova-Ollas, Victoria

Bullard, Janice Maille

Bunch, Kenji

Carter, Elliott

Chamberlain, Nicole

Chyrzynski, Marcel

Clarke, Ian

Coleman, Valerie

Connesson, Guillaume

Costa Roldán, Eduardo

Cueto, Daniel

Dalbavie, Marc-André

Daugherty, Michael

Dehnhard, Tilmann

Desenne, Paul

Dorff, Daniel

Egger, Fabian Johannes

Eggert, Kenneth

Firšt, Nenad

Furrer, Beat

Garrop, Stacy

Ghidoni, Armando

Gibb, Charles

Hailstork, Adolphus

Harberg, Amanda

Hersh, Howard

Hoover, Katherine

Igudesman, Aleksey

Ittzés, Gergely

Kernis, Aaron Jay

Khoury, Houstaf

Kukal, Ondřej

León, Tania

Lias, Stephen

Liebermann, Lowell

Lindberg, Christian

Linthicum-Blackhorse, William

Louke, Phyllis Avidan

Magalif, Eugene

Mitchell, Jonathan

Monroe, Ervin

Mower, Mike

Mucha, Geraldine

Mulleman, Tim

Ornstein, Maarten

Pann, Carter

Panufnik, Roxanna

Pärt, Arvo

Pattillo, Greg

Penman, Katrina

Petrič, Ivo

Price, William

Pritsker, Gene

Pucihar, Blaž

Ran, Shulamit

Rea, Stephanie

Rotaru, Doina

Rozman, Anže

Schocker, Gary

Schwantner, Joseph

Sciarrino, Salvatore

Seif, Sami

Serebrier, José

Skipworth, Lachlan

Sollberger, Harvey

Somma, Victor

Uébayashi, Yuko

Vasks, Pēteris

Widmann, Jörg

Witt, Carl

Woolf, Randall

Yi, Chen

Mnicakmun: Sounds Of Water for flute and piano

Mnicakmun: Sounds Of Water for flute and piano

By Linthicum-Blackhorse William

William Linthicum-Blackhorse: Mnicakmun: Sounds Of Water for flute and piano was written in 2017, as part of the project for the composer's composition studio class at Texas Tech University.
The piece reflects the composer's identity as a Lakota Channúnpa Yuhá (pipe-carrier) and his commitment to traditional spirituality. He initially wrote the first movement without classical triadic harmony, later realizing the melodies were reminiscent of the Lakota Sioux native flute.
The work is described as a "beautiful representation of the different emotions a person experiences in life". It transitions from a strict, non-triadic harmonic structure in the first movement to a more fluid, rule-breaking style that mirrors the unpredictable nature of water and human feeling.
The title Mnicakmun (pronounced "mnee-chah-kmoon") is the Lakota word for the sound water makes when moving over a rocky surface. The movement titles are also in Lakota:
1. Mnicásniyanyanla (Rippling Water)
2. Mnicáluza (Rapid Water)
3. Mnióhuta (The Shore)
The work is dedicated to the composer's Lakota relatives.
At the time of the piece's initial development, Linthicum-Blackhorse was a graduate student at Texas Tech University, where he earned his Master's degree in 2016 and his Doctor of Musical Arts (DMA) in 2019.

"The title was a last-minute realization that I had written the piece with the Lakota Sioux native flute in mind, so I found it suiting to name the piece and its movements in the Lakota language. The word Mnicakmun is both the description and terminology for the sound that water makes when moving over a rocky surface."
William Linthicum-Blackhorse

Nicole Esposito

Réne Lecuona (piano), January, 2025, recital at the University of Iowa School of Music

Mnicakmun (Sounds of Water)

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Linthicum-Blackhorse William

William Linthicum-Blackhorse (1989) is an American composer, researcher, and musician whose work is deeply informed by his Latino, Anglo, and Lakota heritage. He began composing music independently at the age of 12. Despite his early musical interest, his initial academic path was in the sciences. He attended Baylor University in 2007, where he earned a degree in Aerospace Science. Following his undergraduate studies, he moved to Montana to work as a research physicist with the U.S. Forest Service before ultimately deciding to pursue a professional music career.
His formal musical training is characterized by a rapid ascent through graduate-level composition programs. He was accepted into the graduate composition program at Texas Tech University in 2014, completing his Master’s degree in 2016. He continued at Texas Tech, earning his doctorate in music composition in 2019. He has served as an Adjunct Professor of Western Music Theory and frequently performs as a guest artist for various ensembles.
A central pillar of Linthicum-Blackhorse’s life and work is his connection to Lakota spirituality. He studied traditional medicine and spirituality under prominent leaders, including Albert White Hat Sr.
In 2021, he launched MOSAIC, a platform designed to consolidate research on traditional spirituality and provide factual information to the public.