Solo repertoire
Baroque
Classical
Romantic
20th century
21st century
Solo repertoire
Piccolo
Alto flute
Bass flute
Loeb David
Aitken, Robert
Arnold, Malcolm
Bach, Carl Philipp Emanuel
Bach, Johann Sebastian
Berio, Luciano
Bozza, Eugène Joseph
Brown, Elizabeth
Carter, Elliott
Clarke, Ian
Colquhoun, Michael
Dahl, Walter Ingolf Marcus
Debussy, Claude
Dick, Robert
Dohnányi, Ernő
Donatoni, Franco
Erb, Donald
Feld, Jindřich
Ferroud, Pierre-Octave
Françaix, Jean
Fukushima, Kazuo
Heiss, John
Heith, David
Higdon, Jennifer
Hindemith, Paul
Honegger, Arthur
Hoover, Katherine
Hovhaness, Alan
Ibert, Jacques
Ichiyanagi, Toshi
Ittzés, Gergely
Jacob, Gordon
Karg-Elert, Sigfrid
Kuhlau, Friedrich
La Montaine, John
Liebermann, Lowell
Loeb, David
Marais, Marin
Martino, Donald
Muczynski, Robert
Offermans, Wil
Pärt, Arvo
Pattillo, Greg
Persichetti, Vincent
Piazzolla, Astor
Price, William Roger
Ran, Shulamit
Saariaho, Kaija
Sciarrino, Salvatore
Sollberger, Harvey
Somma, Victor
Takemitsu, Tōru
Telemann, Georg Philipp
Varèse, Edgar
Vasks, Pēteris
Four Preludes for solo piccolo
Four Preludes for solo piccolo
D. Loeb: Four Preludes for solo piccolo (Volume II) were written in 1986 as continuation of his experiments of four different shinobue (Japanese traverse flute) flutes he acquired in 1982 and composed the first set of Six Preludes.
The other sets of Preludes for solo piccolo were composed in 1994 (Preludes Vol. III), and in 1999 (Preludes Vol. IV).
Loeb David
David Loeb (1939) is and American flutist and composer. Born in New York, he initially studied music and painting. Later he studied composition at the Mannes College of Music in New York and Yale University. Additional studies of Japanese traditional music with Shinichi Yuize made a big impact on Loeb, leading to various compositions composed for Asian instruments, often combining them with historical (viols) as well as contemporary instruments (flute, cello, guitar).
Having studied Japanese transverse flutes (shinobue, kagurabue, and komabue) led to Loeb's first performance in 1983. In addition to many unaccompanied performances, he has also played in various chamber contexts, and also as a soloist with orchestras, chorus, guitar ensemble, percussion ensemble, and with ensembles consisting of Japanese instruments.
Overall, fifteen of his compositions (mostly for piccolo) are published by ALRY.
Since 1964 he is a faculty member of Mannes College of Music. From 1973 until 2000 he taught at the Curtis Institute.