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Solo repertoire

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Loeb David

Aitken, Robert

Arnold, Malcolm

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Berio, Luciano

Bozza, Eugène Joseph

Brown, Elizabeth

Carter, Elliott

Clarke, Ian

Colquhoun, Michael

Dahl, Walter Ingolf Marcus

Debussy, Claude

Dick, Robert

Dohnányi, Ernő

Donatoni, Franco

Erb, Donald

Feld, Jindřich

Ferroud, Pierre-Octave

Françaix, Jean

Fukushima, Kazuo

Heiss, John

Heith, David

Higdon, Jennifer

Hindemith, Paul

Honegger, Arthur

Hoover, Katherine

Hovhaness, Alan

Ibert, Jacques

Ichiyanagi, Toshi

Ittzés, Gergely

Jacob, Gordon

Jemnitz, Sándor

Karg-Elert, Sigfrid

Kuhlau, Friedrich

La Montaine, John

Liebermann, Lowell

Loeb, David

Marais, Marin

Martino, Donald

Mercadante, Saverio

Muczynski, Robert

Offermans, Wil

Pärt, Arvo

Pattillo, Greg

Persichetti, Vincent

Piazzolla, Astor

Price, William Roger

Ran, Shulamit

Saariaho, Kaija

Sciarrino, Salvatore

Sollberger, Harvey

Somma, Victor

Takemitsu, Tōru

Telemann, Georg Philipp

Varèse, Edgar

Vasks, Pēteris

Weigl, Vally

Four Preludes for solo piccolo

By Loeb David

D. Loeb: Four Preludes for solo piccolo (Volume II) were written in 1986 as continuation of his experiments of four different shinobue (Japanese traverse flute) flutes he acquired in 1982 and composed the first set of Six Preludes.  
The other sets of Preludes for solo piccolo were composed in 1994 (Preludes Vol. III), and in 1999 (Preludes Vol. IV).

Snježana Pavićević

2020, Nota Bene

1. Prelude: Kloy

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Snježana Pavićević

2020, Nota Bene

2. Prelude: Sogum

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Snježana Pavićević

2020, Nota Bene

3. Prelude: Prelude: Hsao-Di

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Snježana Pavićević

2020, Nota Bene

4. Prelude: Ryuteki

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Loeb David

David Loeb (1939) is and American flutist and composer. Born in New York, he initially studied music and painting. Later he studied composition at the Mannes College of Music in New York and Yale University. Additional studies of Japanese traditional music with Shinichi Yuize made a big impact on Loeb, leading to various compositions composed for Asian instruments, often combining them with historical (viols) as well as contemporary instruments (flute, cello, guitar).
Having studied Japanese transverse flutes (shinobue, kagurabue, and komabue) led to Loeb's first performance in 1983. In addition to many unaccompanied performances, he has also played in various chamber contexts, and also as a soloist with orchestras, chorus, guitar ensemble, percussion ensemble, and with ensembles consisting of Japanese instruments.
Overall, fifteen of his compositions (mostly for piccolo) are published by ALRY.
Since 1964 he is a faculty member of Mannes College of Music. From 1973 until 2000 he taught at the Curtis Institute.