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Baroque

Baroque

Classical

Romantic

20th century

21st century

Solo repertoire

Piccolo

Alto flute

Bass flute

Loeillet (de Gant) Jean-Baptiste

Albinoni, Tomaso Giovanni

Bach, Carl Philipp Emanuel

Bach, Johann Sebastian

Bach, Wilhelm Friedmann

Barre, Michel de la

Benda, Franz

Blavet, Michel

Boccherini, Luigi

Boismortier, Joseph Bodin de

Čart, Jiří

Chédeville, Nicolas

Corelli, Arcangelo

Corrette, Michel

Couperin, François

Handel, George Frideric

Hotteterre, Jacques-Martin

Leclair, Jean-Marie l'aîné

Locatelli, Pietro Antonio

Loeillet (de Gant), Jean-Baptiste

Marais, Marin

Marc, Thomas

Marcello, Benedetto

Martini, Giovanni Battista

Müthel, Johann Gottfried

Pachelbel, Johann

Pergolesi, Giovanni Battista

Platti, Giovanni Benedetto

Quantz, Johann Joachim

Telemann, Georg Philipp

Tromlitz, Johann George

Vitali, Tomaso Antonio

Vivaldi, Antonio

Recorder Sonata in C minor, Op. 2, No. 5

By Loeillet (de Gant) Jean-Baptiste

Jean-Baptiste (da Gant) Loeillet: Recorder Sonatas Op. 2 was written around 1711-1714 and was published by Estienne Roger in Amsterdam (Plate No. 346) in approximately 1714.
These 12 sonatas represent a direct continuation of the style and success of his Op. 1. While still heavily influenced by Arcangelo Corelli’s sonata da chiesa and sonata da camera models, Op. 2 displays more "French decorations" and rigorous counterpoint.
Around 1714, Loeillet was firmly established in Lyon, France, in the service of Archbishop Paul-François de Neufville de Villeroy. His career in Lyon was characterized by composing music for the French nobility and talented amateurs, which is reflected in the approachable yet refined nature of these sonatas.
He adopted the suffix "de Gant" (of Ghent) specifically to distinguish himself from his famous cousin, Jean-Baptiste Loeillet "of London," who was active in England during the same period.

Patrick Denecker (flute), Guy Penson (harpsichord), Jan Bontincik (cello), 2006, Pavane Records / IDOL

1. Adagio

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Patrick Denecker (flute), Guy Penson (harpsichord), Jan Bontincik (cello), 2006, Pavane Records / IDOL

2. Vivace

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Patrick Denecker (flute), Guy Penson (harpsichord), Jan Bontincik (cello), 2006, Pavane Records / IDOL

3. Largo

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Patrick Denecker (flute), Guy Penson (harpsichord), Jan Bontincik (cello), 2006, Pavane Records / IDOL

4. Allegro

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Loeillet (de Gant) Jean-Baptiste

Jean-Baptiste Loeillet (1688-1720), known as Loeillet de Gant (of Ghent), was a Flemish Baroque composer and wind player primarily recognized for his extensive contributions to the recorder repertoire.
Born in Ghent, he belonged to a prominent musical dynasty. His father, Pieter Loeillet, was a professional musician who raised not only Jean-Baptiste, but also his brother's son Jean-Baptiste, who later became known as the John Loeillet of London, and his brother Jacques, who made a career as a notable oboist and composer who served in the courts of Munich and Versailles.
Jean-Baptiste moved to Paris to study for a while before settling in Lyon, France. There, he served as a musician for Archbishop Paul-François de Neufville de Villeroy, performing for the Lyonnaise nobility and local religious elite, contributing to the city's vibrant cultural life during the early 18th century.
His legacy consists primarily of 48 solo sonatas for recorder and basso continuo. His style is characterized by a synthesis of Italianate Corellian structures and refined French ornamentation, displaying a sophisticated mastery of counterpoint.